Nou Camp Nou

Forwards to nature

Nou Camp Nou in Barce­lona

 

 

 

Situa­tion

Barce­lona curr­ently has just over 6m² of green areas per inha­bi­tant. Accor­ding to the WHO (World Health Orga­niza­tion), cities should have a minimum of 9m².

The ON‑A proposal for the Nou Camp Nou (Nou Parc), a forest that would cover the Camp Nou in Barce­lona, ​​aims to turn the area into a great green lung using bioar­chi­tec­ture as a stra­tegy for rena­tu­ra­tion.

Stra­tegy

Accor­ding to the ON‑A philo­sophy, the rena­tu­ra­tion of cities and the crea­tion of quality spaces for its citi­zens is not just an inte­res­ting idea, but a need.

Nou Camp Nou aims to show how nature can return to cities without absor­bing addi­tional space.

Topo­graphy

The Nou Camp Nou project shows how nature would come back to cities without losing buildable space, raising the topo­graphy and crea­ting a blanket of green forest above the stadium and its faci­li­ties, which would remain below the surface of the new park.

Curr­ently this area is a closed concrete space and only 8% of green areas. Conse­quently, an “island” effect is gene­rated, sepa­ra­ting the neigh­bor­hoods of Les Corts and Zona Univer­si­taria.

Collapse and conver­sion

The space is huge and is in disuse most of the time, except during sport events or private visits to its faci­li­ties. Neigh­bors often expe­ri­ence collapse when the space comes into opera­tion during major events.

The conver­sion of this area would provide a great oppor­tu­nity for the city of Barce­lona, ​​which would gain a new green space capable of connec­ting neigh­bor­hoods while produ­cing 15,000kg oxygen/day and absorb 25,000kg of C02/day.

Faci­li­ties

Inside Nou Parc Nou you could walk or run along a 2.4km route, stretch in green areas and picnic in reserved areas, in addi­tion to enjoy a 360º pano­r­amic view at the highest point of the park, which culmi­nates around the stadium.

The two lakes would help to cool the tempe­ra­ture and help the deve­lo­p­ment and main­ten­ance of the area, as well as being natural coll­ec­tors of rain­water, which could be reused for the irri­ga­tion and main­ten­ance of the park.

Conclu­sion

This project helps to create a new permea­bi­lity that would allow the connec­tion between the two neigh­bor­hoods of Les Corts and the Univer­sity Area, apart from giving more value to their neigh­bors and to the city of Barce­lona itself without affect mobi­lity and current logi­stics.

Nou Camp Nou turns the journey to FC Barce­lona matches into a spec­ta­cular expe­ri­ence. On all other days, this project is just a great park.

We did this

Project data

Archi­tect

ON‑A
C/ Doctor Rizal, 8, local 1
ESP – 08006 Barce­lona

Project team

Jordi Fernández, Eduardo Gutiérrez
Luciana Teodózio, Geor­gina Morales, Saul Ajuría, Ernest Ruiz, Javier Bernal, Claudia Anto­nacci, Natalia Cambello

Physical address

Camp Nou
C. d’Arís­tides Maillol, 12
ESP-08028 Barce­lona

Author

ON‑A

Video

Contact

How can we be helpful?

Address
More Sports Media
Am Weit­kamp 17
D‑44795 Bochum

Phone
+49 234 5466 0374
+49 172 4736 332

Limmasol Tower

Home is where the pool is

​​Limmasol Tower

Hamonic+Masson & Asso­ciés

Cyprus

Cyprus is an excep­tional terri­tory. Sea, sun and beauty adorn its land­scape and provide the oppor­tu­nity for unique housing. The propo­si­tion for the Limmasol Tower by Hamonic+Masson & Asso­ciés seeks to capture this natural sple­ndour for future inha­bi­tants.

Their wild apart­ment tower concept has round swim­ming pools sprou­ting almost orga­ni­cally from the facade on all sides. Lima­ssol Tower grants every unit in the buil­ding its own private pool, over­loo­king the spar­k­ling Medi­ter­ra­nean horizon.

Cove­ring a total of 6,000 square meters (roughly 64,600 square feet), the resi­den­tial tower houses 19 luxury apart­ments, an under­ground fitness zone, art gallery and spa.

Corolla system

The project rises from nature, echoed by the corolla-shaped balco­nies found in each apart­ment. Home to private swim­ming pools and planted green areas, they are like an inde­pen­dent island, but simul­ta­neously have a direct link to the apart­ment. This creates a luxu­rious living expe­ri­ence, where exte­rior meets inte­rior.

A sliding glass door is the only element sepa­ra­ting living areas from the balco­nies, meaning the feeling of being outside is possible simply by opening the window.

The corolla system is also found on the ground floor green land­scape; round plat­forms and suns­hades engender a distinc­tive archi­tec­tural concept.

Nice contri­bu­tion

Unique expe­ri­ence

On the ground floor a regal entrance opens the doors to a unique living expe­ri­ence. Hamonic+Masson & Asso­ciés seek to enhance quality of living by offe­ring a range of amen­i­ties: an under­ground fitness zone illu­mi­nated by natural sunlight, an art gallery on the ground floor and a premium spa on the first floor, all with inde­pen­dent entrances. Well­being and luxury combine to create an exclu­sive living expe­ri­ence.

The design for the Limmasol Tower offers many special features and a lot of amen­i­ties. It is not very likely that this design will ever be realized, but it is a beau­tiful and imagi­na­tive contri­bu­tion to the never-ending theme of “pools in lofty heights”.

We did this.

Compa­nies involved & Links

Images

Raphaël Petit
Jean-Charles Augier

 

Archi­tects

Hamonic+Masson & Asso­ciés
93 rue Mont­martre
F – 75002 Paris

 

Text

Johannes Bühl­be­cker
More Sports Media

Plans

Sket­ches

Axono­me­tries

Visit our blog

Nou Camp Nou

Nou Camp Nou

What to do on non-match days? And where to “park” the stadium?

Limmasol Tower

Limmasol Tower

Always beau­tiful: Pools in airy heights. On Cyprus, ever­yone even gets their own. By Hamonic+Masson & Asso­ciés.

Our News­letter

Feye­noord City

Stronger by sports

Feye­noord City in Rotterdam

OMA

Situa­tion

A histo­ri­cally signi­fi­cant stadium due to its distinc­tive design, with the oval stands posi­tioned close to the pitch so audi­ence and players are in inti­mate proxi­mity, De Kuip is known for its unique and intense atmo­sphere.

Built 80 years ago, the current stadium of Rotterdam-based foot­ball club Feye­noord no longer fulfills modern demands. To faci­li­tate the foot­ball club’s expan­ding ambi­tions both in the national and Euro­pean foot­ball leagues, multiple plans for a new and reno­vated stadium have been made and presented over the past decade, none of which received final appr­oval.

In 2016, Operatie NL, OMA and Feye­noord proposed a diffe­rent approach: the cons­truc­tion of a new stadium combined with the deve­lo­p­ment of the surroun­ding neigh­bor­hood.

Archi­tect

OMA
Office for Metro­po­lian Archi­tec­ture
Heer Bokelweg 149
3032 AD
Rotterdam
Nether­lands
 
Team:
David Gianotten, Kees van Casteren, Shinji Takagi
Andrea Taboc­chini, Andrew Keung, Aris Gkit­zias, Emma Lubbers, Hanna Jurkowska, Lex Lagen­dijk, Max Scherer, Stefano Campisi

Client & User

Feye­noord City Master­plan

In colla­bo­ra­tion with the foot­ball club and the muni­ci­pa­lity of Rotterdam, OMA has deve­loped the Feye­noord City Master­plan, intro­du­cing a new 63,000-seat stadium that will func­tion as cata­lyst for the urban deve­lo­p­ment of Rotterdam Zuid, one of the neigh­bor­hoods of the city in need of reju­ve­na­tion and economic injec­tion. After careful conside­ra­tion of three poten­tial project sites, a loca­tion at the water­front, northwest to the neigh­bor­hood De Veranda, was selected.

OMA’s master­plan for Feye­noord City consists of five main elements: a new and larger stadium for Feye­noord, reno­va­tion of De Kuip, and deve­lo­p­ment of the Urban Bridge, the Strip and the Kuip Park.

Old vs. new

Address

Feye­noord Stadium
Van Zandvliet­plein 1
3077 AA Rotterdam
Nether­lands

Aerial view

De Kuip

The current stadium De Kuip is to be reno­vated and rede­ve­loped into apart­ments, commer­cial space, an athle­tics sports center and a public square. The area surroun­ding the stadium, de Kuip Park, will offer green space for sports and leisure acti­vi­ties as well as resi­den­tial units.

De Strip, a three-dimen­sional pede­strian walkway, will connect the old stadium with the new stadium and include new public and commer­cial space as well as parking faci­li­ties. Addi­tio­nally, Feye­noord City will be connected to the Laan op Zuid through The Urban Bridge, a prome­nade for slow traffic.

Feed­back

13 + 3 =

Parti­ci­pa­tion

Located between the river Maas, the railway and the highway, the stadium is posi­tioned at an infra­struc­tural node, ensu­ring acces­si­bi­lity by car, bus and public trans­port. The new infra­struc­ture and stadium deve­lo­p­ment is accom­pa­nied by an exten­sive social program with sports at its core.

Feye­noord will set up a new multi sports club for the resi­dents of Rotterdam Zuid, and coope­rate with the surroun­ding neigh­bor­hoods to encou­rage sports parti­ci­pa­tion.

Opening

2024

Photos & illus­tra­tions

OMA
Frans Parthe­sius, Cour­tesy of OMA

Text

OMA

Program

In total, the program of Feye­noord City consists of 255.000m² housing; 64.000m² commer­cial space inclu­ding a new cinema, restau­rants, hotels, and shops and 83.000m² public program inclu­ding a sports expe­ri­ence centre and sports fields.

Besides provi­ding a new home to foot­ball club Feye­noord and reno­vating De Kuip for future uses, OMA’s Feye­noord City master­plan aims to spark the rede­ve­lo­p­ment of Rotterdam Zuid, acti­vate its water­front and to recon­nect this part of the city to the surroun­ding neigh­bor­hoods.

Video

Your project

Are you in need of support when publi­shing your projects?

projects@moresports.network

Or give us a call:

0049 234 5466 0374

PHOTOS

PLANS

What our part­ners say

About us

More Sports Media

Johannes Bühl­be­cker, founder

Johannes Bühl­be­cker is an archi­tect and has worked, among others, for Inter­na­tional Asso­cia­tion for Sports and Leisure Faci­li­ties (IAKS) for 15 years – as edito­rial director of the renowned trade maga­zine “sb”, in the orga­ni­sa­tion and reali­sa­tion of inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC, in trade fairs and conven­tions, as head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Faci­li­ties”) and as a lecturer at the German Sport Univer­sity Cologne.

  • Dipl.-Ing. (engi­nee­ring degree) Archi­tect, TU Berlin
  • Long­time edito­rial head with “sb”, an inter­na­tional journal for the archi­tec­ture of sports
  • Trai­ning in web design, online marke­ting, etc.
  • Inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC
  • Trade fair and congress orga­ni­sa­tion
  • Head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Venues”)
  • Lecturer at the German Sport Univer­sity Cologne
  • Plan­ning of the Prus­sian Stadium in Münster (for groß­mann engi­neers, Göttingen)
  • Replan­ning a foot­ball stadium in Berlin-Köpe­nick
  • Nume­rous publi­ca­tions, i.a. “From Round Leather to Soap Bubbles – The Deve­lo­p­ment of Foot­ball and its Archi­tec­ture”
  • Board member and youth coach at SV BW Weitmar 09

Contact

Phone

+(49) 234 5466 0374

Mail

contact@moresports.network

Address

More Sports Media
Am Weit­kamp 17
D‑44795 Bochum

Visit us at Insta­gram

Washington Reds­kins Stadium

A walk in the park

Washington Reds­kins Stadium

by BIG

Drive-in amphi­theater

Set at the bottom of a stepped, grass covered drive-in amphi­theater, BIG envi­sions a new Washington Reds­kins Stadium that will expand the game-day expe­ri­ence beyond the building’s walls – turning tradi­tional tail­ga­ting into a communal picnic expe­ri­ence during game days.

Archi­tect

BIG
Bjarke Ingels, Thomas Chris­toff­ersen
Agustin Perez Torres
Alan Tansey, Beat Schenk, Bryan Maddock, Charles Kim, Kai-Uwe Berg­mann, Maureen Rahman, Peter Lee, Phillip MacDou­gall, Sanam Salek

Programme

In the off season, Washington Reds­kins Stadium and its grounds become a public park and concert venue for the commu­nity.

The project will also include over 50,000 sf of exhi­bi­tion space for a Reds­kins Museum as well as 100,000 sf of office space, club rooms and trai­ning faci­li­ties as a part of the 1.4 million sf plan.

The new stadium will be located in the Tri-State Washington D.C. area, the home of the Reds­kins since 1937.

Client

Washington Foot­ball Inc.

User

Bowl

Washington Reds­kins Stadium is desi­gned to opti­mize game days, with a circular layout that is elevated to increase the capa­city of blea­chers at the 50 yard line. BIG’s open arran­ge­ment forgoes the tradi­tional, tiered design of most American Foot­ball stadiums to create one big bowl where all the fans can see each other and cheer on their respec­tive teams in unison. Two 8,000 sf score­board will accom­mo­date display screens and game details, brin­ging crowds across the stadium toge­ther.

Feed­back

11 + 9 =

Bridges vs. fences

Outside, the stadium is wrapped in a golden metal mesh, which is pushed inwards and outward to create areas for entrances and conces­sions. Around it, a moat will ease access to the stadium through a series of bridges that elimi­nate the need for a stan­dard fences or gates. In the warm months, when not in use, the moat will act as a wave pool and lazy river and during winter, an ice rink.

Illus­tra­tions

BIG

Text

BIG

Tail­ga­ting

The parking amphi­theater will be planted with rein­forced grass, so cars can drive directly up to the stadium while keeping the surroun­ding field lush and green for use as a park.

The raised terrain created by the stepped field will be supported by 5 levels of under­ground parking with space for 25,000 cars. It will also accom­mo­date six areas for conces­sions and VIP tail­ga­ting.

Video

Great gestures

At its highest point, the surroun­ding park is pushed down to create the Reds­kins Museum and the HQ and to accom­mo­date four full-sized trai­ning fields. By night, the green amphi­theater is able to trans­form into a perfor­mance venue with space for 100,000 people.

Even if the imple­men­ta­tion of this project is not certain, Washington Reds­kins Stadium still includes great gestures and ideas that we would very much like to find in other and smaller stadiums and sports grounds as well.

Your project

Are you in need of support when publi­shing your projects?

projects@moresports.network

Or give us a call:

0049 234 5466 0374

Follow us!

That’s what our part­ners say

See more?

Über uns

More Sports Media

Johannes Bühl­be­cker, founder

Johannes Bühl­be­cker is an archi­tect and has worked, among others, for Inter­na­tional Asso­cia­tion for Sports and Leisure Faci­li­ties (IAKS) for 15 years – as edito­rial director of the renowned trade maga­zine “sb”, in the orga­ni­sa­tion and reali­sa­tion of inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC, in trade fairs and conven­tions, as head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Faci­li­ties”) and as a lecturer at the German Sport Univer­sity Cologne.

  • Dipl.-Ing. (engi­nee­ring degree) Archi­tect, TU Berlin
  • Long­time edito­rial head with “sb”, an inter­na­tional journal for the archi­tec­ture of sports
  • Trai­ning in web design, online marke­ting, etc.
  • Inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC
  • Trade fair and congress orga­ni­sa­tion
  • Head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Venues”)
  • Lecturer at the German Sport Univer­sity Cologne
  • Plan­ning of the Prus­sian Stadium in Münster (for groß­mann engi­neers, Göttingen)
  • Replan­ning a foot­ball stadium in Berlin-Köpe­nick
  • Nume­rous publi­ca­tions, i.a. “From Round Leather to Soap Bubbles – The Deve­lo­p­ment of Foot­ball and its Archi­tec­ture”
  • Board member and youth coach at SV BW Weitmar 09

Contact

Phone

+(49) 234 5466 0374

Mail

contact@moresports.network

Address

More Sports Media
Am Weit­kamp 17
D‑44795 Bochum

Visit us at Insta­gram

Campus Igara

Our city, our life

Campus Igara in Porto Alegre

Ospa Arqui­te­tura e Urba­nismo

About

Campus Igara is the sports educa­tion campus of Health Sciences Federal Univer­sity of Porto Alegre (UFCSPA). Brazi­lian studio OSPA has won the archi­tec­tural compe­ti­tion to design the site with a proposal that includes a floa­ting foot­ball pitch.

OSPA Archi­tec­ture and Urba­nism’s “two-faced” design for the 25,000-square-metre campus houses class­rooms, offices and other univer­sity faci­li­ties within a pair of high-rise blocks at the two ends of the site. Between these, the archi­tects propose a series of basket­ball courts shel­tered beneath the elevated foot­ball pitch.

The campus will be built in two phases, using a frame­work that combines steel and concrete elements. Students will move to the campus after the comple­tion of stage one.

Our city, our life

One site, two faces. Two possi­bi­li­ties of connec­ting Campus Igara with the city. The concepts “front x back,” “public x services” was never an option. A longi­tu­dinal axis, acces­sible and invi­ting, connects the two faces – inter­faces. Inter­faces that despite the hier­ar­chical distinc­tion are equally neces­sary to the compo­si­tion of the block, whose face today reveals the scars of our housing policy. Our city, our life. On the face of the buil­dings, the eyes of the city.

A public space

Campus Igara is more than a public insti­tu­tion, it will be a public space. This is the premise and guiding goal for the deve­lo­p­ment of the Campus Igara of UFCSPA. In an urban context still growing, Campus Igara emerges as a poten­tial arti­cu­la­ting element of both spatial and human rela­ti­onships that surrounds it. A square, fluid and permeable as is supposed to be, in contrast to the volu­metric density that the program­matic solu­tion suggests in a first approach.

Beyond academic acti­vi­ties

The program deve­lops within the natural exten­sion of the side­walk. The open space arti­cu­lates the campus’s func­tions far beyond the academic acti­vi­ties. The inde­pen­dent access, with inde­pen­dent controls for various uses also encou­rages diver­sity of users. Only two high buil­dings housing the univer­sity acti­vi­ties, the rest is square.

Molding memo­ries

Good archi­tec­ture as itself presup­poses a proper solu­tion of envi­ron­mental varia­bles, as well as their comple­men­tary systems. The buil­dings of Campus Igara are oriented to receive lower thermal load, proper venti­la­tion and lighting of indoor sports faci­li­ties, which have been studied exten­si­vely. However, it is note­worthy the simpli­fi­ca­tion of internal flows of the campus, being through open and invi­ting stairs when the vertical circu­la­tion is needed, as opposed to the use of eleva­tors, or by the appro­xi­ma­tion of the other acti­vi­ties of the street level.

This second consti­tutes the impo­sing gesture of the project: the rela­ti­onship between the main func­tions of a campus and areas of informal inter­ac­tion and convi­via­lity, which allow us to go beyond the tech­nical degree. It molds perso­na­li­ties. After all, what are our memo­ries from univer­sity time?

Exte­rior views

Ground plans

Sections

Impres­sions

Struc­ture

Compa­nies involved

Archi­tect

Ospa Arqui­te­tura e Urba­nismo
Av. Osvaldo Aranha, 790/4ºandar
Porto Alegre – RS
Brasil

 

Client & User

Consul­tants

P790 Engen­ha­rias
STM Engen­heiros Asso­ciados

Team

Caro­lina Souza Pinto, Lucas Obino, Cris­tiano Selbach Carneiro, Franco Miotto, Manoela Obino, Aline Taís Comiran, Ellen Renata Bernardi, Augusto Tumelero, Matheus Lorenzet

Compa­nies involved

Address

Univer­si­dade Federal de Ciências da Saúde de Porto Alegre
Sarmento Leite
245 – Centro Histórico
Porto Alegre – RS, 90050–170
Brasil

Illus­tra­tions

OSPA Arqui­te­tura e Urba­nismo

Author

OSPA Arqui­te­tura e Urba­nismo

THE ARCHITECTS

About NORD Archi­tects

NORD Archi­tects was estab­lished in 2003 by foun­ding part­ners Johannes Molander Pedersen and Morten Rask Gregersen (both b. 1974). Mia Baarup Tofte joined the part­ner­ship in 2017. During the years we have employed a multi­di­sci­pli­nary staff of urban plan­ners, archi­tects, land­scape archi­tects, process consul­tants, art histo­rians, acade­mics within social and cultural studies along with our tech­nical staff. We are often asked to lecture and have been taking part in confe­rences, exhibiti­ons and publi­ca­tions on several occa­sions.

In recent years, we have desi­gned and inno­vated welfare related projects in the health­care sector as well as educa­tional buil­dings, daycare centers, sports faci­li­ties and urban spaces. NORD Archi­tects has expe­ri­enced a growing inter­na­tional inte­rest in the company’s unique approach to deve­lo­ping projects – as regards to stra­tegic inno­va­tion as well as design.

ABOUT US

More Sports Media

About us

More Sports Media is the agency behind “More Sports. More Archi­tec­ture.”  We offer support in all aspects of public rela­tions work

If you do not have time to look after your publi­ca­tions, press releases or docu­men­ta­tion, please give us a try. We know the industry – we have many years of expe­ri­ence.

Text, layout, graphics: One-stop shop­ping with More Sports Media – from the initial idea to the finished publi­ca­tion. We write, edit or trans­late your texts, photo­graph your projects, edit your pictures and plans or build your new home­page.

And More Sports Media ensures that the world knows about it: whether it be print or online, profes­sional journal, portal or news­letter – we have know-how, expe­ri­ence and cont­acts to new and old media.

Contact

Mail

contact@moresports.network

Phone

+(49) 234 5466 0374

NEWSLETTER

SOCIAL MEDIA

Water­front Cultural Center

Pyra­mids in the Port of Copen­hagen

Water­front Cultural Center
Kengo Kuma & Asso­ciates mit Corne­lius Vöge, Søren Jensen und Niels Sigs­gaardn

Situa­tion

Kengo Kuma & Asso­ciates, in colla­bo­ra­tion with Corne­lius Vöge, Søren Jensen engi­neers and Niels Sigs­gaard, won the compe­ti­tion to design a Water­front Cultural Center for Copen­hagen. Their project combines faci­li­ties for leisure and sports asso­cia­tions and harbour baths in a new and original way.

The new Water­front Cultural Center with harbor baths at Paper Island is to high­light the signi­fi­cance of water in the history, culture and vibrant urban life in Copen­hagen. The harbor is the gate contri­bu­ting greatly to the city’s deve­lo­p­ment. The water­front has become the fore­ground and the back­ground for major cultural faci­li­ties and the quality open public area that defines the urban life in the city.

The design focus is to create an expe­ri­ence, and not just a stan­da­lone object, in the form of the land­scape, art and archi­tec­ture that are unified and defined by the water. The design proposal strives to offer the diverse expe­ri­ences of water in various states and condi­tions such as reflec­tion of light and shadow, steam and flow that appeal to human senses.

Urban approach

The project takes place in the larger deve­lo­p­ment plan of the island. Its archi­tec­tural form in a series of pyramid shape is in response to the master­plan guide­line to work with roof profile of Chris­ti­ans­holm but at the same time it expresses its unique iden­tity. What is distinc­tive from the rest of the master­plan buil­ding is that the archi­tec­ture does not have a single front, but it is multi direc­tional to be easily reco­gnized and acces­sible from various direc­tions.

Water­front Cultural Center is to offer spon­ta­neous, open and tangible place that carries the memory of vibrant and dynamic nature of the present Paper Island. Taking advan­tage of the promi­nent corner site of the project defined in the master­plan, the ground floor plane of the indoor to outdoor and to the sea is desi­gned in a single gesture. Land­sca­ping the ground plane in terra­cing and casca­ding manner creates expan­sive, conti­nuous percep­tion of water surface from indoor all the way to the harbor. The design attempts to soften and dissolve the edge and blur the sense of boun­dary of the land.

Archi­tec­tural form

The stra­tegy of gene­ra­ting the archi­tec­tural space struc­ture and the form is to mani­pu­late the compo­si­tion of posi­tive and nega­tive volumes. A series of cone shape volumes in various propor­tion is gene­rated by being pushed and pulled verti­cally and hori­zon­tally to create parti­cular expe­ri­ences for each program. The cone shape roofs extruded above corre­spond to the divi­sion of pools at the ground floor. Each pool has distinc­tive space in the almost exag­ge­rated scale with concen­trated light and shadow through large skylights above.

The level above the ground floor is defined as the “nega­tives” of these extruded roof volumes. It is an open air pool and hot bath that one would expe­ri­ence swim­ming and dipped in the “valley” among the archi­tec­tural hills. The inverted cone in the central posi­tion works as struc­tural core. It is the deepest void, “valley” among these roofs where outdoor stair­well is placed.

Brick Façade

Brick is chosen to relate to the context of the area and to high­light the quality and aesthetic of the tradi­tional Danish craft. Its haptic texture and warm natural earthy color tones of masonry would achieve the tangible skin defi­ning inte­rior and exte­rior. The archi­tetcs want to ecplore the poten­tial of brick in its small scale texture being expressed in the large scale of the archi­tec­ture. Its small units allows us to play with various openings and tecto­nics, scree­ning natural lights and shadow that reflects on the water surface.

Water­front Cultural Center‘s brick façade in various level opacity and trans­pa­rency is to glow with warm light at night and in cold season when dark hours last long. The perfo­rated and screened brick skin would let soft light out in distinct manner. The dust of lights and their reflec­tion on the water would glow at night and signals the presence of the new master­plan deve­lo­p­ment and expresses itself as new unique icon.

PROJECT DATA

Archi­tect

Kengo Kuma & Asso­ciates
Yuki Ikeguchi, Marc Moukarzel, Aigerim Syzdy­kova, Hannah Appel­gren

Project team

Asso­ciate Archi­tect:
Corne­lius Vöge
Engi­nee­ring Design:
Søren Jensen engi­neers
Consul­ting archi­tect::
Niels Sigs­gaard

Illus­tra­tions

Luxigon
Kengo Kuma & Asso­ciates

Physical address

Tran­gravsvej 14
1436 Køben­havn
Denmark

Author

Kengo Kuma & Asso­ciates

Aerial view

Thank you, Google!

ILLUSTRATIONS

About

“More Sports. More Archi­tec­ture.” offers archi­tec­ture, buil­dings, products, ideas and trends for sports and leisure.
We’re behind this: More Sports Media, a PR agency specia­li­zing in archi­tec­ture, sports and leisure. We offer you support in your public rela­tions work and in all your publi­ca­tions: Copy­wri­ting, Desig­ning, Publi­shing.
We know the industry. Give us a try.

News­letter

Wuxi Taihu Show Theatre

Archi­tec­ture is what you don’t see

Wuxi Taihu Show Theatre

Steven Chilton Archi­tects

A Sea of bamboo

Located close to Lake Taihu in Wuxi, Jiangsu Province, China, the Wuxi Taihu Show Theatre concept was inspired by the Sea of Bamboo Park in Yixing, the largest bamboo forest in China. The 2,000 seat theatre has been desi­gned to house a perma­nent water show by Franco Dragone and it is due to open in 2019.

Appearance

The building’s appearance is composed of three primary elements: the columns, the shade canopy and the buil­ding enve­lope. Repre­sen­ting an abstract impres­sion of a bamboo forest, the slender white columns are posi­tioned around the peri­meter of the buil­ding in such a way as to provide a screen between the buil­ding façade and surroun­ding land­scape. The ‘bamboo’ columns clear around the various entrances to help frame the accesses into the buil­ding.

Organic quali­ties

The shade canopy wraps around the peri­meter of the buil­ding at roof level. Concep­tually, it repres­ents the canopy of leaves that exist at the top of a bamboo forest. The canopy is made up of various trian­gular bays contai­ning rows of gold anodised alumi­nium louvres. Each bay is orien­tated randomly to create an organic quality to the struc­ture and light and shade patterns that fall across the buil­ding enve­lope through the day. Each bay of louvres is also set at diffe­rent angles to heighten the sense of varia­tion when viewed from diffe­rent angles.

Struc­tu­rally, each bay of louvres is supported on a trian­gular lattice struc­ture that braces the tops of the columns and trans­fers their load into the primary struc­ture of the buil­ding. The envi­ron­mental purpose of the shade canopy and columns are to provide shade over the surface of the façade to passi­vely lower the cooling load on Wuxi Taihu Show Theatre.

Outer edge

The buil­ding enve­lope is prima­rily composed of rendered and painted block-work and curtain wall glazing. The glazing is the full height of the buil­ding in and above the entrance lobby to provide maximum views into and out of the main public areas. It is fritted with white and gold stripes that travel the full height of the buil­ding mimi­cking the ‘bamboo’ columns and contri­bu­ting to the effect of the buil­ding being the outer edge of a forest of bamboo.

Ethe­real beacon

At night, the buil­ding envelop is illu­mi­nated from below, beco­ming an ethe­real beacon, glim­psed between the forest of ‘bamboo’ columns, drawing spec­ta­tors and audi­ence in from across the lake and surroun­ding deve­lo­p­ment.

The theatre is due to open in December 2019.

Wuxi Taihu Show Theatre is curr­ently a fina­list for the World Archi­tec­ture Festival Future Project Award in the Cultural Cate­gory.

PROJECT DATA

Archi­tect

SCA | Steven Chilton Archi­tects

London

Client

Dalian Wanda Group

User

Dragone
Franco Dragone
Rue de Belle-Vue 23
7100 La Louvière
Belgium

Physical address

Wuxi Taihu Show Theatre
Wuxi
China

Author

Steven Chilton Archi­tects

Illus­tra­tions

Steven Chilton Archi­tects

Aerial view

Thank you, Google!

Opening

2019

ILLUSTRATIONS

VIDEOS

About

“More Sports. More Archi­tec­ture.” offers archi­tec­ture, buil­dings, products, ideas and trends for sports and leisure.
We’re behind this: More Sports Media, a PR agency specia­li­zing in archi­tec­ture, sports and leisure. We offer you support in your public rela­tions work and in all your publi­ca­tions: Copy­wri­ting, Desig­ning, Publi­shing.
We know the industry. Give us a try.

News­letter

Quzhou Sports Campus

Between Earth and Mars

Quzhou Sports Campus

MAD Archi­tects

Cons­truc­tion breaks ground

Quzhou Sports Campus desi­gned by MAD Archi­tects has just broken ground in the historic city of Quzhou, in China’s eastern coastal province of Zhejiang.
Span­ning almost 700,000 square meters, the first and second phase have a total cons­truc­tion area of appro­xi­m­ately 340,000 square meters, and include a stadium (30,000 seats), gymna­sium (10,000 seats), nata­to­rium (2,000 seats), national sports complex, outdoor sports venue, science & tech­no­logy museum, hotel accom­mo­da­tions, youth centre and retail programs.

Heri­tage and history

MAD’s design for Quzhou Sports Campus embeds the func­tions of the sports park within natural forms, crea­ting an earth-art land­scape in the center of the city – a poetic land­scape that falls some­where between that of Earth and Mars. The archi­tects not only dream of crea­ting an urban space about sports and ecology, but also turning it into a unique land art park for the world, estab­li­shing a rela­ti­onship between the city’s heri­tage and history of Shanshui culture.

Quzhou

Quzhou is a city with thou­sands of years of history, contai­ning deep tradi­tional culture and philo­so­phical ideas; comple­mented by beau­tiful scenery, with lush forest­land cove­ring more than 70% of the land.
It is the region’s profound histo­rical culture and natural land­scapes that are its most precious resources. With this in mind, MAD envi­sions a surreal, ethe­real and tran­quil artistic land­scape in this modern city, like a mirage, that has the poten­tial to become a place of spiri­tual belon­ging for the future of the city.

Moving, drif­ting, clim­bing

The peri­meter of the Quzhou Sports Campus site is surrounded by a dense forest of high-stan­ding trees that secludes the unin­ha­bited land from the city. As one enters, the view suddenly opens up towards broad hori­zons and the bright sky, while simul­ta­neously appearing as a martian land­scape, myste­rious and illu­sory.
The overall envi­ron­ment stret­ches in large expanses and undu­lates; and the terrain of the moun­tains exists in a way that is some­times open, some­times huddled, and some­times over­lap­ping. As people move through the park, they drift, climb, and traverse the terrain. In the middle of park, there is a lake that has also been conceived as a sunken garden. Here, one’s line of sight looks straight out across the still­ness of the water, offe­ring the expe­ri­ence of an untouchable spiri­tual atmo­sphere as it reflects the moun­tains and the sky.

Stadium

Resembling a crater, the stadium sits into the ground, forming a deep space. It is crowned by a trans­lu­cent “halo” that gently hovers above the ground like a floa­ting cloud. Its proxi­mity to the earth makes it seem within reach – close but untouchable – invi­ting people to engage in a dialogue between the earth and the sky, and discover spiri­tual truth. The adja­cent rolling “hills” on the northeast side form the gymna­sium, nata­to­rium, and trai­ning centre. Above are public spaces and natural scenery that attract people to look up and pause in a moment of contem­pla­tion.

Encou­rage people

The buil­dings in the park breakaway from that of tradi­tional stadiums and athletic complexes that typi­cally high­light struc­tural power, trans­formed by a more intrinsic and subtle beauty.
The inte­riors and exte­riors of the buil­dings are connected to nature, provi­ding an open­ness towards the land­scape for people from anywhere, so that they always feel like they are immersed in nature. Pathways between the moun­tains and the lake meander over and through the archi­tec­ture. They encou­rage people to slowly walk around the park, run along the trails, or just enjoy a seat on the lawn to take in the scenery.

Human-scale

The “peaks” and “moun­ta­in­sides” of several of the “hills” are desi­gned with plat­forms or skylights that allow natural light to flood onto the inte­rior, and provide natural venti­la­tion through the buil­dings. The exte­riors are covered in gree­nery, which while being energy-saving, are also human-scale and acces­sible. They invite people to climb the “moun­tain”, walk along the “moun­tain” trails, and form a closer physical and emotional connec­tion with heaven and earth.

Spirit and mood

Quzhou Sports Campus aban­dons the tradi­tional urban cons­truc­tion model of conven­tional large square land­marks. Drawing on land art and the natural land­scape, it forms a unique urban space, one that is embedded in the spiri­tual under­stan­ding of the people, nature, and culture of the city. In the early stages of human­kind ente­ring modern civi­liza­tion, the Olym­pics put forward the slogan: “faster, higher, stronger”. This coin­cides with our chal­lenges of conquering nature in the rapid deve­lo­p­ment of our modern cities over the past century. As we move forward, the future of urban deve­lo­p­ment has the poten­tial to change and open up in new direc­tions – towards a future where we pursue the harmo­nious rela­ti­onship between man and nature. Ma Yansong (MAD) said: “The rela­ti­onship between man and nature is not only about ecology and sustaina­bi­lity, but it is also about spirit and mood. This is the culture and philo­sophy that has long existed in the history of this land and needs to be applied in the deve­lo­p­ment of our future cities.”

PROJECT DATA

Archi­tect

MAD Archi­tects
8F, Tower A, NO. 107
North Dongsi Street, Dongcheng District
CN – Beijing 100007

Prin­cipal Part­ners in Charge:
MA Yansong, DANG Qun, Yosuke Hayano

Asso­ciate Part­ners in Charge:
LIU Huiying, Kin Li, FU Chan­grui

Design Team:
XU Chen, LI Guang­chong, Iting Lien, LI Cunhao, LIU Hailun, LI Hui, MA Yin, Kyung Eun Na, Ales­sandro Fisalli, KANG Wenzhao, Thou­feeq Ahmed, ZHOU Haimeng, Neeraj Mahajan, ZHANG Yufei

Client

Quzhou West District Deve­lo­p­ment Committee

Compa­nies involved

Client: Quzhou West District Deve­lo­p­ment Committee

Execu­tive Archi­tect:
CCDI Group
Land­scape Archi­tect:
PWP Land­scape Archi­tec­ture
Struc­tural Engi­neer:
Schlaich Berger­mann Partner
Roof membrane:
Serge Ferrari Grou
MEP Engi­neer:
SC Consul­tants Limited
Façade Consul­tant:
RFR Asia
Lighting Consul­tant:
Ning’s Field Lighting Design
Anima­tion Support:
SAN

Author

MAD Archi­tects

Opening

2021

ILLUSTRATIONS

About

“More Sports. More Archi­tec­ture.” offers archi­tec­ture, buil­dings, products, ideas and trends for sports and leisure.
We’re behind this: More Sports Media, a PR agency specia­li­zing in archi­tec­ture, sports and leisure. We offer you support in your public rela­tions work and in all your publi­ca­tions: Copy­wri­ting, Desig­ning, Publi­shing.
We know the industry. Give us a try.

News­letter

Supre­ma­tist Pool

Unusual percep­tion

Supre­ma­tist Pool in Moscow

Access to the river

The Supre­ma­tist Pool is located in Moscow city center, over the Moskva River and next to Push­kin­skii Bridge and Gorky Central Park of Culture and Leisure. The project is an addi­tion to the current use of the park, where a recent project renewed its river­side edge, giving it contem­po­rary features. The idea is to allow access to the river and estab­lish a rela­tion to the water compo­nent, encou­ra­ging unex­plored uses on it. The possi­bi­lity of gene­ra­ting a floa­ting pool on the river opens a spatial perspec­tive of the city. An important feature of the project is the compo­si­tion of diffe­rent floa­ting compon­ents, that allow its use in summer, while it can be dissem­bled when the winter comes. It is a tempo­rary floa­ting element.

Pure non-objec­ti­vity

The formal compo­si­tion and concept of this project is based on a famous pain­ting by Kazimir Male­vich follo­wing the precepts of Supre­ma­tism and its prin­ci­ples of “pure non-objec­ti­vity”. This pain­ting is used as an aesthetic inspi­ra­tion, due to its geome­tric compo­si­tion that makes it an appro­priated visual object of the Russian culture. Between abstrac­tion and sensi­ti­vity of inha­bited space, provi­ding a socio-spatial character to pure geome­tric patterns. It is the purity of these patterns what define the space connec­tions, rhythms, tensions and uses, avoi­ding the induc­tion on func­tional pre-estab­lished shapes.

Program

Program­ma­ti­cally the project connects the river­bank with its inte­rior, through a wooden deck, allo­wing fluid access to floa­ting plat­forms that contains the pools. These plat­forms are inter­con­nected and displayed accor­ding to the pain­ting. Its struc­tures are built in metal and wood, with glass fiber hulls in the sides joined by a steel struc­ture geometry-stabi­lized from its wide beam. The project allows having inde­pen­dent floa­ting plat­forms to ensemble or dissembling accor­ding to the seasonal needs.

Adding value

Over this deck, spatial comple­men­tary volumes such as showers and chan­ging rooms are placed which corre­spon­ding to the Maleviche’s geome­tric compo­si­tion, re-inter­preted under volu­metric proper­ties. In its urban inser­tion, the floa­ting pavi­lion acts as an exten­sion of the surrounded park, linked to it and adding value of a spatial living struc­ture. As conse­quence, the sense of leisure in the city space is enhanced, exacer­ba­ting spatial inter­pre­ta­tion diffe­rent from the current urban spaces; It offers a unusual percep­tion of the city.

Project data

Archi­tect

100 Archi­tects CN – Shanghai

Team

Marcial Jesus, Mada­lena Sales

Aerial view

Thank you, Google!

Author

100 Archi­tects

Please follow us!

 

[et_social_follow icon_style=“slide” icon_shape=“circle” icons_location=“top” col_number=“6” counts=“true” counts_num=“250” outer_color=“dark” network_names=“true”]

Red Carpet

Dream a little dream (of me)

Red Carpet in Shanghai

East Nanjing Road

Red Carpet is located in Shanghai, on East Nanjing road’s Century Square, the most famous and glamo­rous pede­strian street in the “heart” of the city center. The essence of this street is its commer­cial status, which was histo­ri­cally deve­loped as a link between East and West, connec­ting directly the port with the city, ther­e­fore used as the prin­cipal trading plat­form, beco­ming a cultural and social active axis.

These features and its conse­quences on space have remained till now, being today the commer­cial street in Shanghai per excel­lence, constantly recei­ving thou­sands of pede­strians, locals and tourists, enjoying the exis­ting multi­cul­tural mixture and its commer­cial stores. Curr­ently, the Century Square is a flat car-free open area that also contains a small perfor­mance stage rarely used during most of the year. It is the only area with this condi­tion in the whole east Nanjing road but it lacks of an attractor, a land­mark for its urban scape.

Red Carpet

The project offers a diffe­rent rela­ti­onship with the public perfor­mance acti­vi­ties, enga­ging with the original func­tion, but also related with a circu­la­tion corridor and expo­sing its seats as a massive inclined plaza towards Nanjing road.

This produces a very intense segment in the pede­strian Nanjing road. The object’s shape contains the space adding new proper­ties. This action trans­forms this segment of East Nanjing in a highly stimu­la­ting space, enga­ging the proprio­cep­tion of the passersby.

Archi­tect

100 archi­tects
Shanghai

Author

100 archi­tects

Dream of fame

The Red Carpet is a space plat­form that incor­po­rates the dream of fame and reco­gni­tion into the exis­ting social dyna­mics in East Nanjing road. It is an open amphi­theater, where the show is massi­fied, invi­ting passersby to enjoy vibrant shows in a surreal atmo­sphere of design, jewelry and glamour. The red land­scape offers strong iden­tity and ther­e­fore remar­kable expe­ri­ences. This atmo­sphere is achieved through the aesthe­tics of the project, which resem­bles a red carpet of giant propor­tions, folding from the store­fronts of the buil­ding at the north, top to bottom gene­ra­ting a cavity in the same commer­cial axis.

The covered space on the south, under the seats struc­ture, has two diffe­rent uses. A more exposed area in direct contact with the passersby, works as an open market using the struc­ture itself as suns­hade protec­tion. While the inner area under the struc­ture is used as a small bar, with public toilets and others amen­i­ties.

Space and struc­ture

The struc­ture is made of metal trusses that gene­rate the support for the precast concrete blocks that build the hori­zontal seating, while the other elements are built on red wood and red metal panels.

In the front part, the vertical metal struc­ture is cove­ring the buil­dings with perfo­rated metal panels allo­wing plenty of light and air flows from the exte­rior, which enables to gain this massive surface for public amuse­ments, projec­tions and back­ground for perfor­mances.

In the first 2 levels there are openings provi­ding acces­si­bi­lity to the exis­ting retail, even incre­asing its market value.

Thus, the project serves as a unified plat­form for socia­liza­tion, where the common dream of a luxu­rious life becomes true; trans­forming common expe­ri­ences into parti­cular desired ones. The Red Carpet can modify social dyna­mics, trans­forming tradi­tional spaces into parti­cular valuable ones.

Tammela Stadium

Room with a view

Tammela Stadium in Tampere

Situa­tion

Tammela Stadium is situated in the midst of resi­den­tial buil­dings and is home to the foot­ball club Ilves in the Finnish town of Tampere. It was built in 1931, offers 5,000 seats on two diffe­rent stands and is to be replaced by a new buil­ding.

New Tammela Stadium aims to unify the city struc­ture in Tammela by rein­tro­du­cing tradi­tional closed block struc­ture to an area that has become frag­mented and inco­herent. There is a green “cour­tyard” surrounded by a conti­nuous low buil­ding mass housing small shops like in historic city blocks that have mostly been torn down. In the East, the block boar­ders Kaleva Boule­vard in the same line with an old school buil­ding North of the stadium. On the Western side the block is retracted to form a small entrance square for the buil­ding and to leave enough space for the exis­ting housing. This is how the exis­ting row of trees can be preserved. This is important as there are only few green spaces in the area and every tree counts.

Buil­dings from all four sides

Surroun­ding the pitch with buil­dings from all four sides makes the block effi­cient and finan­ci­ally sustainable without making the stadium too massive in valuable historic setting. The City of Tampere aims to finance the public stadium project by selling the buil­ding right for the housing on top of the stadium. As the audi­ence surrounds players from all four sides the bowl like space is spati­ally very intense. The heights of the crown like block’s tips have been carefully adapted to surroun­ding buil­dings. By pushing down the middle parts of the sides, the neigh­bors’ long views have been preserved and the school cour­tyard still gets direct sunlight. The home team of Tampere is called Ilves meaning lynx. You can see refe­rences to lynx’s ear tufts or the flight path of a foot­ball in the form of the block.

Archi­tect

avanto archi­tects ltd
kale­van­katu 31 a
3 fi – 00100 helsinki
finland

Client

City of Tampere

Address

Kalevan puis­totie 21
33500 Tampere
Finland

Aerial view

Thank you, Google!

Enter from all four corners

You may enter the stadium from all four corners. It is easy to find the entrances that are situated under the vaulted ceiling of buil­ding masses at the ends of the field. As required by UEFA, it is possible to arrange a sepa­rate entrance and stand for a visitor team. The most public func­tions, the restau­rant and the gym, have been placed in the block corners so that they are easy to reach. The idea is to open the buil­ding for the local resi­dents as well. All spaces are flexible and can be used by diffe­rent users during diffe­rent times of the day so that the use ratio of spaces can be raised. The hybrid block housing various func­tions is active 24/7.

The field is oriented North-South and the main stand with TV cameras is on the West side, accor­ding to UEFA instruc­tions. As the bridge like buil­dings on rein­forced concrete arcs on the short ends need no columns, even the end stands have unob­s­tructed views to the field. The stands can tempo­r­a­rily be extended to fill the highest UEFA cate­gory 4.

Living in a stadium

As the buil­ding volume is rela­tively thick, many diffe­rent types of housing can be built. The proposed student flats coun­ter­ba­lance the demo­gra­phic struc­ture of the area with mostly elderly people. Special emphases was put to the social sustaina­bi­lity of the project. The sense of commu­nity is created by intro­du­cing various common spaces like green conser­va­to­ries and saunas with exten­sive roof terraces. The gene­rous side-corridor provides extra space for storing a bicycle, urban gardening or even watching a match inside the stadium with your neigh­bors. The upper­most floor with curved roof houses loft apart­ments with varying ceiling height.

Ground plans

Eleva­tions + Sections

Casa Futebol

The day after

Casa Futebol: Living in a World Cup stadium

White elephants

The project “Casa Futebol” proposes a mixed and sustainable use of the stadiums reno­vated or built for the 2014 World Cup in Brazil by inser­ting 105m² housing modules. Casa Futebol is an archi­tec­tural response to the white elephants resul­ting from major sports events like the Fifa World Cup 2014 in Brazil. The project was desi­gned by Axel de Stampa et Sylvain Macaux as a part of their Think Tank “1week1project”. Casa Futebol takes into account the housing deficit in Brazil (5.2 million homes) and covers all 12 Brazi­lian World Cup stadiums.

Living spaces

Axel de Stampa et Sylvain Macaux insert living space into these stadiums, repla­cing the upper stands by prefa­bri­cated housing. Six stadiums are capable to inte­grate apart­ments in their facade: Brazilia, Mineirao, Arena Fonte Nova, Mara­cana, Arena Castelao and Arena Das Duna. Five of these six stadiums have been built with concrete or metal columns patterns with a 7 or 8 metres span. The prefa­bri­cated housing units can easily be inserted between the spans. The central part of the stadiums (pitch and lower stands) is not affected.

Keep the stadium alive

There are appro­xi­m­ately 315 resi­den­tial units cove­ring the exte­rior facade and 315 indoor units for the Brasilia National Stadium. About 1,500 to 2,000 people could live in each stadium, in total about 20,000.

The archi­tects are concerned about the socials context accom­panying such big events. The stadiums are absurdly big, the housing issue in Brazil is so real. Cape Town Stadium, venue of the 2010 World Cup Final in South Africa, only hosted only seven matches in four years.

In their opinion, every place, whether urban, land­scaped or digital, has some­thing new to offer. To become more playful, to release a more radical emotion, to give back to the public its status as a full-fledged actor, the possi­bi­li­ties are infi­nite.

GDPR Cookie Consent with Real Cookie Banner