Pyra­mids in the Port of Copen­hagen

Water­front Cultural Center
Kengo Kuma & Asso­ciates mit Corne­lius Vöge, Søren Jensen und Niels Sigs­gaardn

Situa­tion

Kengo Kuma & Asso­ciates, in colla­bo­ra­tion with Corne­lius Vöge, Søren Jensen engi­neers and Niels Sigs­gaard, won the compe­ti­tion to design a Water­front Cultural Center for Copen­hagen. Their project combines faci­li­ties for leisure and sports asso­cia­tions and harbour baths in a new and original way.

The new Water­front Cultural Center with harbor baths at Paper Island is to high­light the signi­fi­cance of water in the history, culture and vibrant urban life in Copen­hagen. The harbor is the gate contri­bu­ting greatly to the city’s deve­lo­p­ment. The water­front has become the fore­ground and the back­ground for major cultural faci­li­ties and the quality open public area that defines the urban life in the city.

The design focus is to create an expe­ri­ence, and not just a stan­da­lone object, in the form of the land­scape, art and archi­tec­ture that are unified and defined by the water. The design proposal strives to offer the diverse expe­ri­ences of water in various states and condi­tions such as reflec­tion of light and shadow, steam and flow that appeal to human senses.

Urban approach

The project takes place in the larger deve­lo­p­ment plan of the island. Its archi­tec­tural form in a series of pyramid shape is in response to the master­plan guide­line to work with roof profile of Chris­ti­ans­holm but at the same time it expresses its unique iden­tity. What is distinc­tive from the rest of the master­plan buil­ding is that the archi­tec­ture does not have a single front, but it is multi direc­tional to be easily reco­gnized and acces­sible from various direc­tions.

Water­front Cultural Center is to offer spon­ta­neous, open and tangible place that carries the memory of vibrant and dynamic nature of the present Paper Island. Taking advan­tage of the promi­nent corner site of the project defined in the master­plan, the ground floor plane of the indoor to outdoor and to the sea is desi­gned in a single gesture. Land­sca­ping the ground plane in terra­cing and casca­ding manner creates expan­sive, conti­nuous percep­tion of water surface from indoor all the way to the harbor. The design attempts to soften and dissolve the edge and blur the sense of boun­dary of the land.

Archi­tec­tural form

The stra­tegy of gene­ra­ting the archi­tec­tural space struc­ture and the form is to mani­pu­late the compo­si­tion of posi­tive and nega­tive volumes. A series of cone shape volumes in various propor­tion is gene­rated by being pushed and pulled verti­cally and hori­zon­tally to create parti­cular expe­ri­ences for each program. The cone shape roofs extruded above corre­spond to the divi­sion of pools at the ground floor. Each pool has distinc­tive space in the almost exag­ge­rated scale with concen­trated light and shadow through large skylights above.

The level above the ground floor is defined as the “nega­tives” of these extruded roof volumes. It is an open air pool and hot bath that one would expe­ri­ence swim­ming and dipped in the “valley” among the archi­tec­tural hills. The inverted cone in the central posi­tion works as struc­tural core. It is the deepest void, “valley” among these roofs where outdoor stair­well is placed.

Brick Façade

Brick is chosen to relate to the context of the area and to high­light the quality and aesthetic of the tradi­tional Danish craft. Its haptic texture and warm natural earthy color tones of masonry would achieve the tangible skin defi­ning inte­rior and exte­rior. The archi­tetcs want to ecplore the poten­tial of brick in its small scale texture being expressed in the large scale of the archi­tec­ture. Its small units allows us to play with various openings and tecto­nics, scree­ning natural lights and shadow that reflects on the water surface.

Water­front Cultural Center‘s brick façade in various level opacity and trans­pa­rency is to glow with warm light at night and in cold season when dark hours last long. The perfo­rated and screened brick skin would let soft light out in distinct manner. The dust of lights and their reflec­tion on the water would glow at night and signals the presence of the new master­plan deve­lo­p­ment and expresses itself as new unique icon.

PROJECT DATA

Archi­tect

Kengo Kuma & Asso­ciates
Yuki Ikeguchi, Marc Moukarzel, Aigerim Syzdy­kova, Hannah Appel­gren

Project team

Asso­ciate Archi­tect:
Corne­lius Vöge
Engi­nee­ring Design:
Søren Jensen engi­neers
Consul­ting archi­tect::
Niels Sigs­gaard

Illus­tra­tions

Luxigon
Kengo Kuma & Asso­ciates

Physical address

Tran­gravsvej 14
1436 Køben­havn
Denmark

Author

Kengo Kuma & Asso­ciates

Aerial view

Thank you, Google!

ILLUSTRATIONS

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