The visitor enters a laby­rinth turned upside down by way of one of the two narrow openings leading inward. Corri­dors snake through the body of the buil­ding and end at benches. The visitor wanders around, opti­cally cut off from the outside world, disori­ented, and only perceives the legs and feet of other visi­tors.

Sudden encoun­ters bring stran­gers toge­ther, secret visual cont­acts through holes in the walls next to the benches invite visi­tors to spy on their surroun­dings, diffi­cult to reco­gnize.

A play invol­ving distance and proxi­mity.