Ralph C. Wilson Jr. Centen­nial Park

Ralph C. Wilson, Jr. Centen­nial Park

Come toge­ther

From brown­field to crowd favo­rite: Ralph C. Wilson, Jr. Centen­nial Park trans­forms Detroit’s water­front into open and flexible offe­rings for sports, nature and commu­nity – inclu­ding an outdoor arena and water­front living.

Design:

Adjaye Asso­ciates and MVVA

Almost nine hectares of urban deve­lo­p­ment

 

Where indus­trial ruins once domi­nated the banks of the Detroit River, a new urban space is now opening up: at 8.9 hectares, Ralph C. Wilson, Jr. Centen­nial Park is trans­forming a huge former waste­land into a vibrant meeting place for the whole of Detroit. The park is more than just green space – it is a new inter­face between the city, the river and the commu­nity.

The inter­na­tional compe­ti­tion for the Detroit River­front Conser­vancy was won by Adjaye Asso­ciates toge­ther with Michael Van Valken­burgh Asso­ciates (MVVA). Their approach: harmo­ni­zing archi­tec­ture and land­scape – flexible, robust and desi­gned for future growth.

MVVA deve­loped a resi­lient, year-round park land­scape with spacious lawns, play areas, prome­nades, gardens and sustainable green infra­struc­ture. The open spaces are desi­gned to adapt to diffe­rent uses and seasons – from quiet sojourns to large commu­nity events.

The open-air hall as the center

The archi­tec­tural iden­tity of Ralph C. Wilson, Jr. Centen­nial Park is charac­te­rized in parti­cular by the William Davidson Sport House. The 2,600 m² open-air hall is supported by 33 steel columns, above which spans a sculp­tural concrete roof with an appro­xi­m­ately 185 m² skylight. Daylight floods the open struc­ture, which houses a stan­dard-compliant basket­ball hall. The space func­tions both as a sports hall and as an outdoor faci­lity and enables sports and leisure use day and night, at any time of year.

The ensemble is comple­mented by two further pavi­lions with sani­tary and communal areas.

Inclu­sive urban space

The design was deve­loped in close consul­ta­tion with the deve­lo­pers, spon­sors and users. Between 2018 and 2021, six large public meetings were held with over 800 parti­ci­pants. In addi­tion, school programs, neigh­bor­hood meetings and exhi­bi­tions were held throug­hout the city, reaching more than 5,000 people in total.

The result is not just the Ralph C. Wilson, Jr. Centen­nial Park on the Detroit River, but an inclu­sive urban space that brings people back to the water and re-estab­lishes the connec­tion between nature, city and commu­nity.

Project data

(Links are under­lined)

Archi­tec­ture

Adjaye Asso­ciates

Land­scape

Michael Van Valken­burgh Asso­ciates

Opening
2025
Address

Ralph C. Wilson Centen­nial Park
Detroit, MI 48226
United States

Photos
Text

Johannes Bühl­be­cker
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Parque Quin­tana Roo

Parque Quin­tana Roo

I was a dump

From garbage dump to exhi­bi­tion grounds: the Parque Quin­tana Roo in Chetumal is the venue for a large agri­cul­tural fair and also a city park. With open-air halls.

Design:

AIDIA Studio

Trans­for­ma­tion

 

The Parque Quin­tana Roo in Chetumal, the capital of the Mexican state of the same name, is the wonderful result of the trans­for­ma­tion of a land­fill site into an exten­sive ecolo­gical urban park.

The park offers a wide range of leisure faci­li­ties, inclu­ding a skate park, a spacious parkour garden, outdoor fitness areas and multi-sports and child­ren’s play areas – all housed in three indi­vi­du­ally desi­gned open-air halls.

The project was prompted by the need for a new venue for the annual live­stock and agri­cul­tural fair. Over the years, this fair has deve­loped into a major annual folk festival that includes concerts, fair­ground rides and craft markets.

The plan­ning comes from AIDIA Studio.

Jungle

The newly deve­loped exhi­bi­tion grounds cover an area of ten hectares. The site is located in a subtro­pical jungle. This loca­tion offered a special oppor­tu­nity to trans­form the area into an urban park with a variety of leisure faci­li­ties that can be used all year round.

Chetumal is the capital of the state of Quin­tana Roo, which also includes the tourist desti­na­tions of Cancún, Tulum and Bacalar in the Mexican Carib­bean. While the beach resorts in the north grew in popu­la­rity, Chetumal deve­loped into an important supply center. The city, which for a long time suffered from a lack of high-quality public spaces, is incre­asingly gaining in quality of life thanks to the recla­ma­tion of areas.

Orga­niza­tion

The trape­zo­idal plot measures 200 by 400 meters and is accessed via a ring-shaped road with parking spaces. An 800-meter-long walking and cycling path was also created along this ring.

The faci­li­ties include three open-air halls, inclu­ding an arena for up to 1,000 spec­ta­tors, which can be used for both sporting events and concerts. There are also covered basket­ball courts, outdoor fitness areas. There are also retail areas, a skate park, a child­ren’s play­ground and a “citi­zens’ square” at the entrance to the site.

This civic square is surrounded by eleven Ceiba trees, which are considered sacred trees in Mexico. Each tree repres­ents one of the eleven coun­ties of Quin­tana Roo. From here, water­courses run through the area, guiding visi­tors to the various faci­li­ties and crea­ting a flowing, non-hier­ar­chical spatial expe­ri­ence that ulti­m­ately ends at the arena, the park’s largest struc­ture.

Circles

The paths between the circular struc­tures run along tangen­tial arches, which break up the other­wise rigid site boun­da­ries and at the same time inte­grate the variety of buil­ding types into the overall concept.

This concept enabled the plan­ners to consis­t­ently develop the theme of “biophilic design” – both from a bird’s eye view in the form of the over­ar­ching master plan and from the user’s perspec­tive, namely through the direct expe­ri­ence of nature within the park. Para­me­tric design tools were also used, which enabled an aesthe­ti­cally sophisti­cated and effi­cient form-finding process.

The result was a variety of diffe­rent buil­ding types, all of which have a circular floor plan in common – albeit each with its own unique design solu­tion.

Protec­tion and beauty

The low buil­ding density of the park serves to maxi­mize the preser­va­tion of natural green spaces – an essen­tial aspect given the hot and humid climate in the region. All the mate­rials used for the squares and buil­dings are in light beige tones. Toge­ther with the light metal struc­tures of the buil­dings, the slender, olive-green supports and the curved wooden elements, they blend in perfectly with the lime­s­tone and wood­land surroun­dings, while the tiled roofs provide reliable protec­tion against the possi­bi­lity of heavy rain­fall.

The façades of the radial buil­dings use a brick pattern that enli­vens the surface struc­ture on the one hand and ensures air circu­la­tion and natural venti­la­tion through openings on the other. All of the buil­dings are planned on a modular basis to ensure cost-effec­tive cons­truc­tion and to make the cons­truc­tion process effi­cient.

Project data

(Links are under­lined)

Planner

AIDIA Studio

Rolando Rodri­guez Leal, Natalia Wrzask; José Luis Mulás, Mariano González, Nitze Magaña, Aran­zazú Sánchez, Mauricio Santi­bañez, Cecilia Simón, Emilio Vásquez, Rodrigo Wulf

Buil­ding owner

Secre­tary of Agra­rian, Terri­to­rial, and Urban Deve­lo­p­ment

Opening
2024
Address

Parque Quin­tana Roo
Chetumal
Quin­tana Roo
Mexico

Photos

Andrés Cedillo

Text

Johannes Bühl­be­cker
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Open-air halls

Open-air halls in schools

The trou­ble­shoo­ters

Rising pupil numbers, dila­pi­dated sports halls and tight budgets are putting schools and local autho­ri­ties under massive pres­sure.

Examples from Hamburg, Euskir­chen and Buch­holz in der Nord­heide show how open-air halls can quickly create new sports areas, reduce costs and relieve the burden on schools and clubs alike.

Halls:

McArena

Hamburg: Where to take the pupils?

Since the begin­ning of the year, schools in Hamburg have been faced with the chall­enge of meeting the compul­sory three PE lessons per week, despite growing pupil numbers.

The exis­ting capa­ci­ties at Heid­horst elemen­tary school had reached their limits. Available hall times were scarce and the exis­ting sports faci­li­ties were already more than fully utilized. The cons­truc­tion of a tradi­tional gymna­sium would have meant major hurdles both finan­ci­ally and in terms of time.

Toge­ther with the sponsor Schulbau Hamburg, the school ther­e­fore opted for an open-air hall as a quick and econo­mical solu­tion. The roofed cons­truc­tion, which is open at the sides, enables year-round use without any heating costs. At the same time, the unavo­idable supply of fresh air ensures a healthy sports climate.

The result: The new hall quickly and sustain­ably reli­eved the time­table and occu­p­ancy sche­dule, expanded the school’s usage options and is content with minimal opera­ting costs.

This is how an all-day school can work.

Euskir­chen: What happens after the flood?

The flood disaster in 2021 presented the Mari­en­schule in Euskir­chen with an exis­ten­tial chall­enge, as the school’s own triple gymna­sium was comple­tely destroyed. PE lessons could only take place at alter­na­tive loca­tions, which required long bus jour­neys and made ever­yday school life consider­ably more diffi­cult.

The “MSE Arena” provided a quick remedy. Thanks to the coope­ra­tion of the city, aid orga­niza­tions and private commit­ment, a fully func­tional sports faci­lity was built within a few months – without the bureau­cratic and struc­tural hurdles of a tradi­tional recon­s­truc­tion.

The MSE Arena not only enables regular sports lessons on site again, it also enri­ches school life thanks to its versa­ti­lity.

Of course, local clubs can also use the hall. So ever­yone bene­fits.

Buch­holz: Who is going to pay for it?

In Buch­holz in der Nord­heide, the chall­enge was to create a modern sports faci­lity that not only serves the schools, but is also econo­mic­ally viable and, last but not least, bene­fits popular sports.

The solu­tion is a hybrid usage model on a multi­func­tional surface. The open-air hall is used by schools in the mornings and is available to clubs, company sports groups and private users outside of school hours.

The hall was financed with the help of local compa­nies and busi­nesses. A digital booking system enables uncom­pli­cated orga­niza­tion without addi­tional personnel costs. Income from rentals contri­butes to the refi­nan­cing of the project and ensures long-term opera­tion.

The “BK-Green Arena” also demons­trates the great poten­tial of open-air halls in terms of sustaina­bi­lity – above all thanks to the compre­hen­sive PV system on the roof.

Conclu­sion: Added value

The examples from Hamburg, Euskir­chen and Buch­holz illus­trate that open-air halls offer versa­tile and prag­matic answers to current chal­lenges such as energy effi­ci­ency, cost disci­pline and rapid feasi­bi­lity, also and espe­ci­ally for school and club sports.

Open-air halls save heating costs because they are not heated at all. They are also versa­tile and create added value that goes beyond pure school sports.

Open-air halls enrich the sporting and social life of their surroun­dings in a sustainable way.

As I said: win-win.

Project data

(Links are under­lined)

Open-air halls

McArena GmbH
Karl-Ferdi­nand-Braun-Strasse 3
D – 71522 Back­nang

Address & users

Heid­horst Primary School
Heid­horst 16
D – 21031 Hamburg

Address & users
Mari­en­schule Euskir­chen
Basingstoker Ring 3
D – 53879 Euskir­chen
Address & users

Chris­tian School
Nord­heide e. V.
D – Harburger Straße 50

Photos

McArena GmbH

Text

Johannes Bühl­be­cker
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Heilongtan Dome

Heilongtan Dome Music Hall

Nature & Archi­tec­ture

This open-air hall doesn’t scream for atten­tion, but it sings: quietly, openly and with the calm certainty that it belongs in this very place.

24 slender steel supports allow the dome to float and create a harmo­nious connec­tion between the buil­ding, nature and the commu­nity with minimal harmful inter­ven­tions.

Design:

Studio Dali Archi­tects

Put down roots

 

The Heilongtan Dome Music Hall rises gently from the gently sloping land­scape at the entrance to an agro-cultural commu­nity in Chengdu, China.

The open-air hall by Studio Dali Archi­tects doesn’t scream for atten­tion, but it sings: quietly, openly and with the calm certainty that it belongs in this very place. Enve­loped by trees, light and land­scape, this hall with its curved roofs is remi­nis­cent of the village meeting room – where stories, music and memo­ries take root natu­rally under a banyan tree.

Its loca­tion on a gentle slope, by the lake and surrounded by young trees combines the dome­stic with the rural, the crea­tive with the natural.

Spiri­tual Center

Heilongtan is the name of a new deve­lo­p­ment area in Renshou County in Meishan, and the Heilongtan Dome is the new entrance and land­mark.

The design is based on the tradi­tional symbo­lism of banyan trees. In this area, they are usually found at the entrance to the village and serve as places of encounter and tran­quil­lity. The semi-open hall is remi­nis­cent of the space under the root network of such trees and serves (accor­ding to the archi­tects) as a “spiri­tual center” for the commu­nity.

It is mainly used for concerts, theater rehear­sals and perfor­mances, courses, rest and informal meetings.

Olive trees

The open-air hall is cons­tructed as a wooden dome, its roof resembling a protec­tive mesh of leaves. Large, open skylights allow three Chinese olive trees to grow through the roof. More than a dozen other openings bring daylight into the inte­rior. The visible timber cons­truc­tion creates an impres­sive atmo­sphere and good acou­stics.

A few seating steps rise slightly towards the lake, ideal for spec­ta­tors and open for informal uses such as theater. The arran­ge­ment of the chrome-plated steel supports is remi­nis­cent of air-rooted banyan trees and streng­thens the connec­tion between archi­tec­ture and nature.

Archi­tec­ture

The supporting struc­ture consists of a light­weight wood-steel hybrid cons­truc­tion. 24 slender, chrome-plated steel supports with a diameter of 60–100 mm allow the dome to float, while roof sections reach down to the ground and support water drai­nage.

The close inte­gra­tion of the hall with nature is of central importance: the buil­ding nestles against the slope, opens up to the forest and allows a play of light and shadow between the pillars and through the trees. Daylight floods the inte­rior spaces, while the struc­ture itself creates a harmo­nious connec­tion between buil­ding, nature and commu­nity using mini­mally harmful tech­no­logy.

Just good archi­tec­ture.

Project data

(Links are under­lined)

Planner

Studio Dali Archi­tects
Li Ye, Zeng Xian­ming, Lan Lan

Buil­ding owner

China Railway Sichuan Ecolo­gical City Invest­ment Co., Ltd.

Opening
2024
Address

Heilongtan
Renshou County
Meishan City
Ichuan Province
China

Photos

Arch-Exist

Text

Johannes Bühl­be­cker
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Pallejà Sports Center

Pallejà Sports Center

Iden­tity creator

Can an open-air hall rede­fine an entire sports area? In the Pallejà sports center, the floa­ting roof becomes an archi­tec­tural chall­enge to func­tional arbi­trar­i­ness.

Design:

JPAM City Makers and Masala Consul­tors

An open-air hall as a new center­piece

 

For a long time, the Pallejà sports center was one thing above all: func­tional. Playing fields were lined up next to each other, outdoor faci­li­ties were added and over the years a sporting conglo­me­ra­tion without a clear center emerged. It was only with the new open-air hall that the faci­lity in Pallejà, in the province of Barce­lona, acquired a distinc­tive archi­tec­tural iden­tity. And a real center.

Desi­gned by JPAM City Makers and Masala Consul­tors, the open-air hall now func­tions as a connec­ting element of a newly orga­nized sports land­scape. Large and small playing fields were orga­nized around the roof like a chess­board.

Color becomes a guidance system: it zones, connects and creates orien­ta­tion. A clearly struc­tured, coherent space is created from many indi­vi­dual parts, which natu­rally brings toge­ther the sports and spec­tator areas – open, invi­ting and yet precisely defined.

The floa­ting roof

However, the real state­ment of the project is the roof. It is far more than just a roof, it is both an archi­tec­tural expres­sion and a symbol of iden­tity.

From the outside, the cons­truc­tion looks like a protec­tive shell without sealing off the site. Perfo­rated metal clad­ding encloses the hall on three sides, but remains below the full room height. This main­tains the connec­tion to the city and land­scape: Sport, urban space and nature intert­wine.

Percep­tion changes under the roof: the shell becomes a filter. It does not block out the surroun­dings, but lets them fade softly into the back­ground and focuses the view on the sporting action.

In terms of cons­truc­tion, the hall also focuses on tension: metal and concrete form a deli­be­rate inter­play of robust­ness and light­ness. Slender concrete slabs support the sides of the roof, while the corners remain unsup­ported.

This creates the illu­sion of a floa­ting roof – a “floa­ting force” that lends the buil­ding a surpri­sing elegance despite its dimen­sions.

On the street side, the roof is slightly inclined, subtly redu­cing its domi­nance. Towards the open land­scape, on the other hand, it rises and opens up the view of the Llob­regat valley. The open-air hall thus becomes not only a shelter for sport, but also an archi­tec­tural frame­work for the land­scape.

Night Fever

As night falls, the Pallejà sports center is trans­formed once again. The light from inside makes the hall appear like a glowing lantern: visible from the city, present in the public space. The trans­pa­rency of the cons­truc­tion is now parti­cu­larly empha­sized, its light­ness is staged.

This open-air hall is ther­e­fore far more than just a func­tional addi­tion. It links sport and the city­scape, creates iden­tity and streng­thens the public percep­tion of the entire area.

A purely func­tional faci­lity has been trans­formed into a place with archi­tec­tural aspi­ra­tions – a project that shows how sports infra­struc­ture can become a driving force in urban deve­lo­p­ment.

Project data

(Links are under­lined)

Buil­ding owner

Pallejà Town Council

Opening
2020
Address

Avin­guda de L’Onze de Setembre 1
08780 Pallejà
E – Barce­lona

Photos

Jordi Surroca
JPAM
Obra

Text

Johannes Bühl­be­cker
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Szent Gellért sports hall

Szent Gellért sports hall in Buda­pest

Let yourself be buried

 

 

építész stúdió

The buil­ding makes no attempt to clash with the historic fabric of the school. That is very plea­sing.

építész stúdió

Found

The Szent Gellért sports hall (Szent Gellért Terem) in Buda­pest is an outstan­ding example of buil­ding in exis­ting struc­tures – and not just for this purpose. It was built for the St. Margaret Grammar School in the 1930s.

The design by the Hunga­rian office építész stúdió was prima­rily deter­mined by the much-cited genius loci. The site has a steep slope and offered enough space on a fallow area behind the school to accom­mo­date the buil­ding and the neces­sary access areas.

The plan­ners decided to bury the Szent Gellért sports hall. This has a serious impact on the appearance of the hall, its surroun­dings and, of course, its internal orga­niza­tion.

Disap­peared

The visible size of the buil­ding is reduced by more than half. Behind the school, the terrain rises sharply, so large parts of the hall were hidden under the gree­nery of the slope.

The rear of the Szent Gellért sports hall has comple­tely disap­peared into the slope, with the side façades growing out of the site. The gallery level behind the south façade, on the other hand, is comple­tely visible and opens up to the school with large glass surfaces.

The roof becomes the much-cited fifth façade – and can even be used as an addi­tional playing field. The unusual ball catching system gives the whole thing an enormous sense of light­ness – and provides a total contrast to the detailed school buil­ding.

Lost

The property and garden have an eventful history behind them. There used to be stately terraces here, but their character was lost during the Second World War. Most recently, the area lay fallow.

The resto­ra­tion of this garden with its historic slope and the “roof terrace” for the playing field is not only extre­mely sensible from a func­tional point of view, it is also remi­nis­cent of the neo-baroque prede­cessor of the Szent Gellért sports hall.

Orga­niza­tion

The hall is accessed via the rear of St. Marga­ret’s Grammar School, i.e. via the schoo­lyard. The entrance, chan­ging rooms and showers for the athletes as well as the teachers’ and storage rooms are all located on the playing field level. This means short distances and saves time, which is of course also helpful for school sports.

Spec­ta­tors reach the inside of the hall via the gallery level above. A spacious lobby with a view of the pitch leads guests to the stands.

Access and routes for athletes and spec­ta­tors are ther­e­fore sepa­rate and lead to the heart of the hall, the playing field, on diffe­rent levels. In addi­tion to school sports, basket­ball, volley­ball and fitness classes take place here – some­times simul­ta­neously.

The entrance areas are deli­bera­tely kept quiet. építész stúdió call them “a dark inter­mezzo” between the outside area and the light-flooded hall, which is in constant visual contact with the school thanks to the wide-open façade.

Restraint

The buil­ding makes no attempt to clash with the historic fabric of the school. That is very plea­sing.

In keeping with this restrained approach, the plan­ners used the simp­lest possible mate­rials. Wood, glass and exposed concrete domi­nate. Where neces­sary for daily use, the concrete cons­truc­tion was lined with wooden surfaces.

The ball catch fence on the roof is formed by closely spaced, galva­nized bar elements. Compared to the mono­li­thic struc­ture of the Szent Gellért sports hall, they appear almost trans­pa­rent – or like a reward. The grid is strict, yet barely percep­tible next to the school’s detailed monu­ment.

Ever­y­thing seems simple in the best sense of the word. You have to get that right first.

Project data

Archi­tect

építész stúdió
1016 Buda­pest,
HU – Krisz­tina krt. 71

Buil­ding owner

Szent Margit Gimná­zium

Opening

2020

Address
Szent Margit Gimná­zium
1114 Buda­pest
HU – Villányi út 5–7
Photos

Gergely Kenéz

Text

Johannes Bühl­be­cker
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fall protection.now

Plan­ning, instal­la­tion and main­ten­ance

absturzsicherung.JETZT

Membranbau Sieber GmbH
(Adver­to­rial)

The roofs of our sports and leisure faci­li­ties offer huge areas, for example for the instal­la­tion and use of rene­wable ener­gies. However, cons­truc­tion and main­ten­ance work on the roof is dange­rous.

The brand new website “absturzsicherung.jetzt” offers important infor­ma­tion on the plan­ning, instal­la­tion and main­ten­ance of fall protec­tion systems. And contact.

Huge poten­tial

The roofs of our sports and leisure faci­li­ties offer huge areas, for example for the instal­la­tion and use of rene­wable ener­gies. There is still huge untapped poten­tial here that should be exploited.

However, cons­truc­tion and main­ten­ance work on the roof is dange­rous. For this reason, fall protec­tion is required from a fall height of two meters to prevent falls from the roof, through the roof or through a roof opening.

Membranbau Sieber GmbH has now laun­ched absturzsicherung.jetzt. Here you will find important basics and further infor­ma­tion on the plan­ning, instal­la­tion and main­ten­ance of fall protec­tion systems.

Systems

An ancho­rage device is a system for fall protec­tion when working on roofs, facades or in industry. It provides one or more anchor points and is usually perma­nently connected to struc­tures or machines. In combi­na­tion with personal fall protec­tion equip­ment (PPE), anchor devices are used as a restraint or fall arrest system during work.

The rele­vant DIN EN 795 stan­dard distin­gu­ishes between five types of ancho­rage devices: Single ancho­rage points, tempo­rary single ancho­rage points, life­line systems, rail life­line systems and mobile ancho­rage points with dead weight.

Plan­ning

When working on the roof, any wrong move­ment can have fatal conse­quences.

Roofs must ther­e­fore be planned in such a way that people are perma­nently secured during subse­quent main­ten­ance and servicing work. Struc­tural measures include railings or balust­rades, while mobile safety systems include personal protec­tive equip­ment and ancho­rage devices.

Assembly

The profes­sional instal­la­tion of fall protec­tion systems is the decisive basis for the long-term safety of work­places at height. Whether on roofs, façades or in industry: fall protec­tion systems must be carefully planned, precisely installed and compre­hen­si­vely docu­mented in order to prevent acci­dents and comply with legal requi­re­ments.

Main­ten­ance

Safety barriers are subject to constant stress and the effects of the weather. Without regular main­ten­ance, they can lose their protec­tive func­tion, resul­ting in incal­culable risks. Syste­matic main­ten­ance allows defects to be detected and recti­fied at an early stage, preven­ting acci­dents and exten­ding the service life of the fall protec­tion systems.

In addi­tion, the main­ten­ance of fall protec­tion systems is a manda­tory task.

Ask us

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Membranbau Sieber GmbH deals with

  • the instal­la­tion, main­ten­ance and servicing of membrane roofs, facades and fall protec­tion systems
  • Working at heights and indus­trial clim­bing using rope access tech­no­logy
  • the plan­ning and instal­la­tion of perma­nent life­line systems
  • Trai­ning and instruc­tion of PPE users in accordance with DGUV (regu­la­tions 112–198 and 112–199)
  • the testing of PPE equip­ment in accordance with DGIV (Prin­ciple 312–906)

Our part­ners include the Allianz Arena in Munich, the Signal Iduna Park in Dort­mund (Borussia Dort­mund’s stadium), ABS, Inno­tech and many more.

Membranbau Sieber GmbH is a highly expe­ri­enced and know­led­geable service provider in the most important specia­list areas rela­ting to working at height.

We plan, install, main­tain, repair, test and train.

Contact

Domain

fall protection.now

Consul­ting

absturzsicherungen.jetzt
c/o Membranbau Sieber GmbH
Tauben­seeweg 10
D – 83119 Obing

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SAP Garden

The SAP Garden in Munich

Here’s to good neigh­bor­liness

 

 

3XN

The SAP Garden is a state-of-the-art, flexible and multi­func­tional sports faci­lity that combines tech­nical and design inno­va­tion with a deep appre­cia­tion of the histo­rical heri­tage of its surroun­dings.

Past and present

The SAP Garden was opened in Munich’s Olympic Park in September 2024. The hall was built on the site of the former Olympic Velo­drome and in the imme­diate vici­nity of the more than world-famous Olympic Stadium desi­gned by Frei Otto and Günther Behnisch – in other words, in a truly promi­nent neigh­bor­hood.

Accor­dingly, the design by 3XN also strives for a harmo­nious, inde­pen­dent and non-compe­ti­tive connec­tion between all the monu­ments, the original spirit of the park and the forms and mate­rials of today.

With an area of 62,500 m², the SAP Garden offers space for 10,700 spec­ta­tors for ice hockey games and 11,500 for basket­ball games. The arena is the new home of EHC Red Bull Munich (ice hockey) and FC Bayern Basket­ball.

It also houses three addi­tional ice rinks for trai­ning and public use as well as VIP areas, stores, confe­rence rooms and a publicly acces­sible roof terrace with spec­ta­cular views.

Slats

The inte­gra­tion into the protected land­scape of the Olympic Park was a parti­cular chall­enge. The 3XN team hid the three trai­ning ice rinks under an arti­fi­cial hill that conti­nues the exis­ting paths of the park. The oval, asym­me­trical shape of the arena with its green roof blends in well with the natural surroun­dings and conti­nues them.

The external appearance is charac­te­rized by vertical pilas­ters that curve upwards and empha­size the glazed entrance areas. Each of the 260 slats has an indi­vi­dual geometry, giving the façade a simple yet complex dynamic. This creates a unique connec­tion between the deli­cate histo­rical struc­tures and the new buil­ding.

Meeting point

The SAP Garden wants to be more than just an arena for major events. It aims to become a lively and popular social meeting place for the commu­nity: The public ice rinks are open to schools, clubs and recrea­tional athletes, which streng­thens the local sports infra­struc­ture.

The Gaming Garden also provides eSports fans with a new home for digital compe­ti­tions of almost all kinds. Restau­rants, stores and the roof terrace create addi­tional oppor­tu­ni­ties to use the space all year round.

Tech­no­logy

Spec­ta­tors expe­ri­ence an intense, thril­ling atmo­sphere in the SAP Garden. A special tech­nical feature is the inno­va­tive and mobile grand­stand system above the ice hockey pitch, which enables quick and flexible swit­ching between ice hockey and basket­ball use. The atmo­sphere in the hall can be adapted to diffe­rent events and occa­sions using lighting effects and digital media.

Project data

Archi­tect

3XN A/S
Kanon­bådsvej 8
DK – 1437 Copen­hagen K

Buil­ding owner

Red Bull Stadium Munich GmbH

Partner

CL MAP

Engi­neers

Buro Happold

Opening

2024

Address

SAP Garden
Toni-Merkens-Weg 4
D‑80809 Munich

Photos

Rasmus Hjortshoj_

Text

Johannes Bühl­be­cker
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Multi­pur­pose hall Inger­kingen

The multi-purpose hall in Inger­kingen

Life goes on

 

 

 

Swabian thrif­ti­ness fits in perfectly with the idea of circular cons­truc­tion: the mate­rial from disused buil­dings does not end up in land­fill or is “ther­mally recy­cled”, but is trans­ferred to a new phase of use.

Continue buil­ding

The concept of buil­ding on has been prac­ticed since the begin­ning of human history. Today it is abso­lutely contem­po­rary, as it fulfills the desire for conti­nuity and demons­trates a prag­matic approach to energy and mate­rials. In the past, the diffi­cult acces­si­bi­lity of mate­rials was the main reason for conti­nuing to build; today, in view of the multiple crises in the world, it is simply neces­sary.

The Upper Swabian town of Inger­kingen near Biberach an der Riß left it open in the compe­ti­tion as to whether the exis­ting multi-purpose hall should be inte­grated into the new concept or make way for a new repla­ce­ment buil­ding. In the imme­diate vici­nity of the elemen­tary school, the musi­cians’ home and the fire depart­ment, the hall was and still is the center of social village life.

In addi­tion to school sports, the multi-purpose hall in Inger­kingen serves as a meeting point, event and trai­ning venue for local clubs. It was built in 1964 accor­ding to plans by Pfalzer and Schenk as a sports and gymna­sium for the adja­cent elemen­tary school to the east. With each conver­sion, however, the buil­ding gradu­ally lost its once remar­kable typo­lo­gical and aesthetic quality.

Received

In the tendered compe­ti­tion, the design with the maximum preser­va­tion of the exis­ting buil­ding prevailed and saved the multi-purpose hall from the threat of demo­li­tion and repla­ce­ment cons­truc­tion. The result is a buil­ding whose history is clearly legible.

Even though the exis­ting buil­ding has no outstan­ding artistic value and is not considered “beau­tiful” by the villa­gers, it was an excel­lent dialog partner for the plan­ners. As part of the buil­ding could be easily and func­tion­ally inte­grated into the new concept, they took its preser­va­tion for granted.

In order to reduce demo­li­tion to a minimum, the foun­da­tions and floor slab, ceilings and the solid walls in the nort­hern section as well as the street-side stage wing were inte­grated into the plan­ning. This allowed a total of 60 percent of the buil­ding mass to be retained. As the hall length of the previous buil­ding corre­sponded exactly to the DIN requi­re­ments of a single-span hall, only the south façade had to be dismantled and moved. The result was a stan­dard-compliant single-span hall with compa­ra­tively few inter­ven­tions.

Perceive

The exis­ting and new buil­dings are distin­gu­is­hable by their cons­truc­tion and mate­rials. The solid exis­ting buil­ding was insu­lated and plas­tered to match the original plaster. The addi­tion and exten­sion in light­weight timber frame cons­truc­tion is made visible with a rear-venti­lated timber façade. The buil­ding history of the hall is told, parti­cu­larly on the west and north façades.

The exis­ting gable wall was extended to the south and built over with two oppo­sing mono­pitch roofs of the exten­sion and the hall roof. To the north, the conti­nuous line between old and new is only sepa­rated by the new door to the sports entrance and a light steel stair­case. The offset of around 12 centi­me­tres, which results from the slimmer wall cons­truc­tion in timber frame cons­truc­tion compared to the extern­ally insu­lated masonry, further shar­pens the plas­ti­city of the buil­ding.

The percep­tion of the wooden façade changes with the view­er’s point of view. The closer the viewer is to the north façade, the more visible the windows behind the wooden slats become. Over time, the untreated wooden façade will turn gray. This natural process will enrich the house because it empha­sizes the wood – in contrast to mineral, metallic buil­ding mate­rials – as an organic buil­ding mate­rial.

Reduce

The energy concept is based on redu­cing the number of tech­nical instal­la­tions and making them easy to inspect. Taking natural venti­la­tion into account, the venti­la­tion system was reduced to a minimum and largely desi­gned as a visible instal­la­tion.

The metal struc­tures for the gates, sports equip­ment and stage, as well as all tech­nical instal­la­tions, are painted a uniform black and thus blend into the back­ground. The laye­ring of the tech­nical instal­la­tions enables easy main­ten­ance on the one hand and becomes a design element on the other – as is the case with the ceiling clad­ding in the foyer and stair­well, which can be inspected and in which all elec­trical instal­la­tions have been placed visibly in the open joints. A check­room rail deve­loped for the project can be dismantled into indi­vi­dual parts and stowed away depen­ding on usage requi­re­ments.

Swabia

To save costs, the old hall was gutted by local clubs on a volun­tary basis and the removed sani­tary faci­li­ties and kitchen equip­ment were resold. The strip boar­ding of the former wooden clad­ding of the hall was also given a second life as the façade of a nearby forest hut.

The Swabian thrif­ti­ness fits perfectly with the idea of circular cons­truc­tion: the mate­rial from disused buil­dings does not end up in land­fill or is “ther­mally recy­cled”, but is trans­ferred to a new phase of use. Conse­quently, the plan­ners chose the mate­rials and joints for the refur­bish­ment in such a way that a large propor­tion of the buil­ding mate­rials can be sepa­rated by type and returned to the circular economy in the event of dismant­ling.

Conclu­sion

The multi-purpose hall in Inger­kingen demons­trates the advan­tages of careful reno­va­tion compared to a new buil­ding. In addi­tion to the grey energy tied up in the buil­ding and the memo­rable value of the buil­ding, the dialog between old and new offers added aesthetic value.

Compared to a possible repla­ce­ment buil­ding, the reno­va­tion of the multi-purpose hall in Inger­kingen also proved to be more econo­mical – and can serve as a model for many halls in need of reno­va­tion in Germany.

Project data

Desi­gner

Atelier Kaiser Shen, Stutt­gart

Buil­ding owner

Muni­ci­pa­lity of Schem­mer­hofen

Opening

2024

Address

Multi­pur­pose hall Inger­kingen
Schläg­wei­de­straße 2
D – 88433 Schem­mer­hofen

Photos

Brigida González
AKS (stock)

Text

Atelier Kaiser Shen

Drawings

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Salle Maurice Darbellay

Salle Maurice Darbellay in Coudoux

Wood makes you happy

 

Atelier Régis Roudil

The Salle Maurice Darbellay follows the prin­ciple of mate­rial reduc­tion, uses local resources and shows how public buil­dings in rural contexts can be imple­mented in a way that is both ambi­tious in terms of design and func­tional, econo­mical and ecolo­gi­cally respon­sible.

Pavi­lion or club­house?

With the expan­sion of the tennis club and the cons­truc­tion of the “Salle Maurice Darbellay”, the southern French muni­ci­pa­lity of Coudoux has realized a remar­kable project that convin­cingly combines archi­tec­ture, sustaina­bi­lity and regio­na­lity. Desi­gned by Atelier Régis Roudil, the result is an under­stated, elegant timber cons­truc­tion that blends in sensi­tively with its surroun­dings and can be used for a variety of purposes.

The Salle Maurice Darbellay is located on the south-western edge of Coudoux, a French muni­ci­pa­lity with 3,700 inha­bi­tants in the Bouches-du-Rhône depart­ment in the Provence-Alpes-Côte d’Azur region. The buil­ding is the new center of a small sports park with five tennis courts, a hard court and a BMX track. It is located at the end of a resi­den­tial area and is bordered to the north and south by old umbrella pines. Thanks to its exposed loca­tion and open design, the buil­ding has the effect of a covered outdoor space that offers protec­tion from the sun and rain and at the same time streng­thens the connec­tion to the surroun­ding nature.

Indoors or outdoors

The Salle Maurice Darbellay was built next to the exis­ting club­house and is based on a simple but well thought-out prin­ciple: four wooden struc­tures – known as “plots” – form the struc­tural corner­stones of a rectan­gular floor plan. These support a recessed roof cons­truc­tion made of glulam.

A freely acces­sible terrace forms the recessed southern end towards the tennis courts.

The hall itself is free of supports, crea­ting a gene­rous, flexible space. Large, folding sliding doors on the north and south sides allow complete opening to the outside. Inte­rior and exte­rior space have a lot in common here.

Wood and produc­tion

The choice of mate­rials is parti­cu­larly important: Pin d’Alep (Aleppo pine) was used throug­hout for the cons­truc­tion, façade and inte­rior design – a local wood that had long disap­peared from the cons­truc­tion industry. This project revives a regional value chain: the wood comes from surroun­ding forests and was processed in the region.

The walls consist of wooden frames with wood fiber insu­la­tion, the roof cons­truc­tion of prefa­bri­cated wooden cassette elements. The façade was clad with pre-greyed wood in cover strip form­work. The inte­rior furni­ture such as the counter and shelves are also made of Aleppo pine.

The struc­ture rests on a concrete base that is 40 cm above the ground – enough to serve as seating at the edge of the pitch. The adjoi­ning terraces and ramps are also made of exposed concrete and are bordered by natural stone walls made of Vers-Pont-du-Gard.

Archi­tec­ture and loca­tion

The project is a fine example of archi­tec­ture that is in dialog with its loca­tion. It follows the prin­ciple of mate­rial reduc­tion, uses local resources and shows how public buil­dings in rural contexts can be imple­mented in a way that is ambi­tious in terms of design and at the same time func­tional, econo­mical and ecolo­gi­cally respon­sible.

With the “Salle Maurice Darbellay”, Coudoux has gained a new place for sport, meetings and commu­nity – and at the same time a strong archi­tec­tural state­ment for contem­po­rary, sustainable cons­truc­tion in wood.

Project data

Desi­gner

Atelier Régis Roudil Archi­tectes
Amélie Artur

Buil­ding owner

Mairie de Coudoux

Opening

2023

Address

TCM Coudoux
75 All. du Stade
F – 13111 Coudoux

Photos

Florence Vesval

Text

Johannes Bühl­be­cker
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Heilongtan Dome

Heilongtan Dome Music Hall

Home is where the Dome is

 

Studio Dali Archi­tects

The Heilongtan Dome Music Hall by Studio Dali Archi­tects doesn’t scream for atten­tion, but it sings: quietly, openly and with the certainty that it belongs in this very place.

Put down roots

The Heilongtan Dome (Music Hall) rises gently from the gently sloping land­scape at the entrance to an agro-cultural commu­nity in Chengdu, China.

The open-air hall by Studio Dali Archi­tects doesn’t scream for atten­tion, but it sings: quietly, openly and with the calm certainty that it belongs in this very place. Enve­loped by trees, light and land­scape, this hall with its curved roofs is remi­nis­cent of the village meeting room – where stories, music and memo­ries take root natu­rally under a banyan tree.

Its loca­tion on a gentle slope, by the lake and surrounded by young trees combines the dome­stic with the rural, the crea­tive with the natural.

Spiri­tual Center

Heilongtan is the name of a new deve­lo­p­ment area in Renshou County in Meishan, and the Heilongtan Dome is the new entrance and land­mark here.

The design is based on the tradi­tional symbo­lism of banyan trees. In this area, they are usually found at the entrance to the village and serve as places of encounter and tran­quil­lity. The semi-open hall is remi­nis­cent of the space under the root network of such trees and serves (accor­ding to the archi­tects) as a “spiri­tual center” for the commu­nity.

It is mainly used for concerts, theater rehear­sals and perfor­mances, courses, rest and informal meetings.

Olive trees

The open-air hall is cons­tructed as a wooden dome, its roof resembling a protec­tive network of leaves. Large skylights allow three Chinese olive trees to grow through the roof, while more than a dozen other openings bring daylight into the inte­rior. The visible wooden cons­truc­tion creates an impres­sive atmo­sphere and good acou­stics.

A few seating steps rise slightly towards the lake, ideal for spec­ta­tors and open for informal uses such as theater. The arran­ge­ment of the chrome-plated steel supports is remi­nis­cent of air-rooted banyan trees and streng­thens the connec­tion between archi­tec­ture and nature.

Archi­tec­ture

The supporting struc­ture consists of a light­weight wood-steel hybrid cons­truc­tion. 24 slender, chrome-plated steel supports with a diameter of 60–100 mm allow the dome to float, while roof sections reach down to the ground and support water drai­nage.

The close inte­gra­tion of the hall with nature is of central importance: the buil­ding nestles against the slope, opens up to the forest and allows a play of light and shadow between the pillars and through the trees. Daylight floods the inte­rior spaces, while the struc­ture itself creates a harmo­nious connec­tion between buil­ding, nature and commu­nity using mini­mally harmful tech­no­logy.

Just good archi­tec­ture.

Project data

Desi­gner

Studio Dali Archi­tects
Li Ye, Zeng Xian­ming, Lan Lan

Buil­ding owner

China Railway Sichuan Ecolo­gical City Invest­ment Co., Ltd.

Opening

2024

Address

Heilongtan
Renshou County
Meishan City
ichuan Province
China

Photos

Arch-Exist      

Text

Johannes Bühl­be­cker
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District sports hall Wangen

The district sports hall in Wangen 

Does not inter­fere

 

Steimle Archi­tects 

Steimle Archi­tekten wanted to create an atmo­spheric buil­ding with the Wangen district sports hall – one that “does not disturb”, even though it is larger than the previous hall. That worked out very well.

Versa­ti­lity

The new district sports hall in Wangen replaces a 70-year-old hall on the same site, between two voca­tional schools on the edge of the old town. Wangen is located in the Allgäu region near Ravens­burg. It is home to 27,000 people.

The new three-court sports hall impresses with its spacious yet modest archi­tec­ture and its versa­ti­lity of use. In addi­tion to the hall, there are also two gymnastics rooms and a spacious cafe­teria in the foyer, which are used not only by the 2,000 or so pupils, but also for school and other events.

The design was created by Steimle Archi­tekten from Stuttgart/Überlingen and is the result of a compe­ti­tion held in 2020.

Reor­ga­niza­tion

The guiding prin­ciple of the design is the urban reor­ga­niza­tion of the area with radi­cally few inter­ven­tions. The new Wangen district sports hall was built on the site of the old hall, which meant that all the trees could be preserved.

With its foyer and cafe­teria, the hall opens up to the west, north and east and thus to all neigh­boring uses such as the voca­tional school, town hall, grammar school and also to the historic old town of Wangen. Six large doors open the hall to the south onto the festival site, making it part of the outdoor events.

In the course of the 2024 State Garden Show, which took place in Wangen, this site took on a special signi­fi­cance.

Orga­niza­tion

The compact, two-storey cube of the Kreis­sport­halle Wangen is based on the rational aesthe­tics of the neigh­boring buil­dings in its design language, mate­ria­lity and simpli­city.

Between the three-bay hall in the south and the foyer in the north of the buil­ding are the ancil­lary rooms such as the kitchen, chan­ging rooms, equip­ment rooms, control room, tech­no­logy, storage and the two stair­cases to the upper floor. There are two large, almost square gymnastics rooms. For sports acti­vi­ties, the hall is also accessed via a side entrance to the east with short routes to the chan­ging rooms on the upper floor.

Sun protec­tion

The elegant wooden façade is comple­mented by a skylight strip that ensures even illu­mi­na­tion with daylight. Ball-proof roller blinds were installed to protect against sunlight and glare. These are certi­fied as ball-proof in accordance with DIN 18032 “Part 3 Ball impact safety test” and offer high-quality sun and glare protec­tion as well as thermal insu­la­tion in summer.

Thanks to its metal­lized reverse side, the curtain, which is also certi­fied, achieves the best values for thermal insu­la­tion in summer and ther­e­fore fits in perfectly with the sustainable concept of the Wangen district sports hall.

In order to meet the special requi­re­ments of the timber façade, the lateral drop rod guides of the roller blinds are embedded in the timber mullions. An attic also provides a special instal­la­tion solu­tion. In addi­tion to the roller blind systems in the sports hall, elec­tric roller blinds with cable tensio­ning are also installed in the gymnastics rooms.

All roller blinds are from Durach.

Lighting

The lighting in the Wangen district sports hall was speci­fi­cally desi­gned for sustaina­bi­lity, energy effi­ci­ency and user comfort. A circum­fe­ren­tial skylight strip provides uniform daylight illu­mi­na­tion of the hall, thus redu­cing the need for arti­fi­cial lighting.

Modern LED strip lighting systems are used in the sports hall to ensure uniform and glare-free illu­mi­na­tion. The lumi­n­aires are certi­fied ball-proof and meet the requi­re­ments for school sports. The combi­na­tion of energy-effi­cient LED tech­no­logy and intel­li­gent control signi­fi­cantly reduces power consump­tion.

The lighting concept and its imple­men­ta­tion fit harmo­niously into the sustainable overall concept, contri­bute to the plea­sant atmo­sphere in the hall – and were supplied by emsLICHT.

Windows and doors

The window and door solu­tions also play a central archi­tec­tural and func­tional role in the Wangen district sports hall. Large-format fixed glazing in wood (spruce) and high-quality wood-aluminum cons­truc­tions were used, which provide both natural lighting and a warm mate­rial effect.

Parti­cular atten­tion was paid to the over­sized pivot doors, the tech­nical imple­men­ta­tion of which posed a special chall­enge. The system is comple­mented by indi­vi­du­ally tail­ored external doors and effec­tive sun protec­tion that is tail­ored to the requi­re­ments of the daylight concept.

Fink Duo GmbH, an expe­ri­enced company in the field of high-quality window and façade solu­tions, was respon­sible for instal­ling the sophisti­cated cons­truc­tion elements.

Foot­print

The district sports hall in Wangen was built using a timber hybrid cons­truc­tion method. The entire design and buil­ding concept is based on a climate-friendly and recy­clable cons­truc­tion. It was realized with a view to a sustainable foot­print in accordance with the guide­lines for sustainable buil­ding of the district of Ravens­burg and with the support of the Vorarl­berg Energy Insti­tute.

The imple­men­ta­tion was based on a holi­stic approach and took into account criteria such as buil­ding ecology, biodi­ver­sity and near-natural cons­truc­tion. This included measures such as the use of regional buil­ding mate­rials and native woods, the avoid­ance of pollut­ants, species protec­tion on the buil­ding, the mini­miza­tion of sealed surfaces and a green roof desi­gned for biodi­ver­sity.

Project data

Desi­gner

Steimle Archi­tects
Markt­platz 6
D- 70173 Stutt­gart

Buil­ding owner

District of Ravens­burg
Eigen­be­trieb Immo­bi­lien, Kran­ken­häuser und Pfle­ge­schule

Sun protec­tion

Durach GmbH
Alte Bahn­linie 20
D – 88299 Leut­kirch

Lighting

emsLicht AG
Ölwerk­straße 58
D – 49744 Geeste-Dalum

Windows & Doors

Fink Duo GmbH
Schul­straße 28
D – 89191 Nell­ingen

Opening

2024

Address

Kreis­sport­halle Wangen
Jahn­straße 9
D – 88239 Wangen im Allgäu

Photos

Brigida González, Stutt­gart
Durach (section “Sun protec­tion”)

Text

Johannes Bühl­be­cker
More Sports Media

Drawings

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