Para­celsus Bad & Kurhaus

Naked in Salz­burg

Para­celsus Bad & Kurhaus

Berger+Parkkinen Archi­tekten, Agrob Buchtal

About

The Para­celsus Bad & Kurhaus, which opened in the 4th quarter of 2019, is already excep­tional because it is located in the middle of the city of Salz­burg (Austria) as a five-storey spa, bathing and sauna world. In addi­tion, the archi­tects from the Vien­nese office Berger+Parkkinen created an impres­sive buil­ding sculp­ture which offers a high degree of secu­rity despite its exten­sive open­ness.

Wall and floor tiles of the Savona series of Agrob Buchtal play a key role in this.

Situa­tion

The new Para­celsus Bad & Kurhaus is located on the edge of Salz­burg’s old town, which is protected as a UNESCO World Heri­tage Site – directly next to the spa gardens and Mira­bell Castle, where people have been bathing and reco­ve­ring already for more than 150 years.

Conti­nuing this tradi­tion was one of the most important goals of the City of Salz­burg when it decided to demo­lish the outdated previous buil­ding from the 1950s and replace it by a new buil­ding with an enlarged range of faci­li­ties.

Three areas

Anyone approa­ching the new buil­ding from the spa gardens will come across a slightly curved mono­li­thic struc­ture, whose clad­ding of vertical marble-white ceramic lamellar elements provides exten­sive open­ness at the same time. “It is only at second glance that you become aware of the classic buil­ding divi­sion into base, beletage and upper floor”, says archi­tect Alfred Berger.

Base floor

The gymnastics, massage and therapy rooms of the Kurhaus as well as the entrance and chan­ging rooms of the swim­ming pool and sauna area are located on the three levels of the base floor.

Behind the glass facade of the beletage, the ceiling of the swim­ming hall, modelled as a gently undu­la­ting spatial sculp­ture, is clearly visible. Above it are the pool and sauna restau­rant as well as the sauna area with four saunas, steam bath and roof terrace with Infi­nity Pool.

Arrival

The fact that the archi­tects have succeeded in crea­ting a uniformly desi­gned buil­ding despite inde­pendently arti­cu­lated areas is already evident in the entrance hall. The focal point is a wide “stairway to heaven” with marble-white terrazzo steps and landings, which seems to lead straight under the undu­la­ting ceiling of the swim­ming hall.

Only when one has reached the cash desk on the 2nd upper floor leading to the bathing and sauna area, the large fixed glazing sepa­ra­ting the entrance area from the bathing world becomes visible.

Chan­ging areas

After the access control, the visi­tors first enter the chan­ging area, whose chan­ging cubicles, striped in light green and blue, are remi­nis­cent of airy beach chairs by the sea.

The 60 cm long porce­lain stone­ware tiles from Agrob Buch­t­al’s Savona series, laid alter­na­tely in 20 and 30 cm wide strips on walls and floors, also fit into this picture. Their lively, moving surfaces in the shade of lime, toge­ther with the irre­gu­la­rity of the free bond, create a secure, earthy-warm room atmo­sphere.

Stairway to heaven

Via the upper part of the “stairway to heaven”, the bathers finally reach the swim­ming hall with diving plat­form, sports, child­ren’s and family pool. This stair­case opens up visual refe­rences to the entrance hall as well as to the chan­ging and bathing areas and thus signi­fi­cantly faci­li­tates orien­ta­tion in the buil­ding.

It is parti­cu­larly impres­sive when bathers arrive at the large, light-flooded swim­ming hall on their way up – as if “emer­ging” directly from the ground. There, they not only find a spacious bathing land­scape with a seemingly weight­lessly mean­de­ring suspended ceiling, but also a variety of views of Salz­burg’s old town and the spa gardens.

Colour compo­si­tion

A contrast to this over­whel­ming spec­tacle of nature and forms is the restrained colour and mate­rial concept of the bathing land­scape. The sand-brown or white surfaces of the walls and the ceiling are predo­mi­nant, as are the floors, which are also comple­tely covered with lime-coloured tiles from the Savona series.

Thanks to the same size, colour and laying method as in the chan­ging room and the upper “stairway to heaven”, the entire chan­ging and bathing area appears as a coherent space conti­nuum.

The only and thus deter­mi­ning colour accent is provided by the water basins glowing in light turquoise, which are atmo­sphe­ri­cally remi­nis­cent of the many crystal-clear moun­tain lakes in the vici­nity of Salz­burg. This effect is based on 12.5 x 25 cm wall and floor tiles of the Chroma Pool series in the shade of medium turquoise. “The glaze makes the water appear in a natural way as if it were shim­me­ring by itself”, explains Berger.

View of the Mönchs­berg

As an inte­gral part of the space conti­nuum of the bathing land­scape, the entire floor of the sauna area on the 5th floor also has porce­lain stone­ware tiles from the Savona series laid in strips, there however in the colour anthr­acite. This colour perfectly harmo­nizes with the wood-covered walls, but also refers to the dark, rugged Mönchs­berg rock, one of the land­marks of Salz­burg’s old town.

The tiles are not only to be found in the access and rest areas, but also as an archi­tec­tural link in the showers and in the saunas, some of which are oriented towards the glass facade. “The possi­bi­lity of being able to use Savona anywhere in the swim­ming bath in prin­ciple – on the floor and walls as well as in the water and in the sauna – was decisive for us when it came to selec­ting a suitable tile”, says Berger.

Infi­nity Pool on the roof terrace

In both senses of the word, the high­light of every sauna visit at the Para­celsus Bad & Kurhaus undoub­tedly is the outdoor pool on the southern roof terrace, desi­gned as Infi­nity Pool. A small part of the pool serves the sauna guests as a cold plunge pool, while the rest is desi­gned as a 32° warm brine pool.

Thanks to the raised pool on the roof surface with elevated water level and a low over­flow channel on the outside, the view of almost the whole of Salz­burg is unob­s­tructed.

The gently rounded pool edges and the anthr­acite-coloured 5 x 5 cm mosaic tiles of the Chroma Plural series create a deli­cate small-scale struc­ture conveying a feeling of secu­rity and well-being in the pool, which is desi­gned as a nude bathing area. 

Conclu­sion

Even though the buil­ding opens to the city in many places, this feeling of secu­rity can be expe­ri­enced ever­y­where. It is created not least by the plea­santly consis­tent design concept, which is based on natural colours and mate­rials and thus offers an intui­tively sensual bathing world – an important aspect in a place where people meet in vulnerable nudity.

The Para­celsus Bad & Kurhaus offers great gestures and finest details. It offers its guests a wide range of services in many diffe­rent areas. Through the skilful combi­na­tion of flowing floor plans and rich mate­rials, it is an extra­or­di­nary expe­ri­ence in every space.

We did this.

Compa­nies involved & Links

Client

Photos

Michael Chris­tian Peters
Chris­tian Rich­ters

Text

Johannes Bühl­be­cker
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Archi­tectes

Berger+Parkkinen Archi­tekten
Schön­brunner Straße 213–215
A – 1120 Wien

Opening

2019

Tiles

Agrob Buchtal GmbH
Buchtal 1
D‑92521 Schwar­zen­feld

 

Address

Para­celsus Bad & Kurhaus
Auer­sperg­straße 2
A – 5020 Salz­burg

 

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Hubertus Pool

Eye in the sky

Hubertus Pool Olang

noa* network of archi­tec­ture

Hotel Hubertus

The Hotel Hubertus is located in Valdaora, at the foot of the famous ski and hiking area Kron­platz in the Puster Valley at an alti­tude of about 1350 m.

The family estab­lish­ment was gene­rously enhanced and enlarged with 16 new suites, a new kitchen with restau­rants and “Stuben”, an entrance area with lobby, recep­tion and wine cellar and a fitness and a rela­xa­tion room with pano­r­amic terraces.

The new 25 m long pool, func­tio­ning as a connector between old and new, under­lines the essence of this compre­hen­sive reno­va­tion and renewal project.

Hubertus Pool

The new Hubertus Pool, which impo­singly rests in-between the two accom­mo­da­tion wings, seems like a floa­ting rock, come to rest at the site, over­loo­king the valley. The hidden edges of the pool, kept in anthr­acite-coloured stone, abolish the gap between pool and land­scape, crea­ting the impres­sion of the water flowing into nothing, disap­pearing between pool and land­scape.

The pool meta­pho­ri­cally reminds of a moun­tain lake, nestled into the asto­nis­hing moun­ta­in­s­cape of the UNESCO World Heri­tage site, the Dolo­mites.

Chall­enge

The key chall­enge in the project was to create a link between the exis­ting buil­ding and the new design, in order to keep a uniformal and consis­tent appearance. The debarked larch trunks, which were used as multi­func­tional façade elements for the exis­ting and new buil­ding, succeed in crea­ting this aesthe­tical connec­tion. The multi­func­tional façade elements of debarked larch trunks create an optical link between exis­ting and new, main­tai­ning the homo­ge­neous appearance of the project. They not only support the dyna­mics of the curved façade, but func­tion also as sunscreens, room divi­ders and rain protec­tors, further enhan­cing the feeling of privacy and in addi­tion to this forming the static basis for the canti­le­ve­ring pool and façade.

Floa­ting

Hubertus Pool is floa­ting like a natural rock over the new accom­mo­da­tion wing. Without any visible boar­ders, a width of 5 m, a length of 25 m and a depth of 1,30 m the over 17 m canti­le­ve­ring pool can be seen as comple­tely unique.

The posi­tion of the pool, which floats 12 m above the ground, at its extreme edge, gives the swimmer the feeling of floa­ting – weight­lessly between heaven and earth. This impres­sion is further rein­forced by the glass front and a glazed window on the bottom of the pool.

We did this.

Compa­nies involved & Links

Photos

Alex Filz

Text

noa* network of archi­tec­ture

Archi­tect

noa* network of archi­tec­ture
Zions­kirchstr 56
I – 39100 Bolzano

Zions­kirch­straße 56
D – 10119 Berlin

Address

Hotel Hubertus
Via Furcia, 5
I – 39030 Soraf­urcia

Opening

2016

Plans

Videos

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Schön­berg Sports Hall

Schön­berg Sports Hall

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Sportbad Fried­richs­hafen

Laid-back

Sportbad Fried­richs­hafen

Behnisch Archi­tects

About

After the relo­ca­tion of the trade fair to the nearby airport, an attrac­tive sports and leisure area was created on the old fair grounds at Ried­le­park in addi­tion to a shop­ping centre. Situated right next to the ZF-Arena, the complex houses Friedrichshafen’s new aquatic sports center as well as a parking garage.

Behnisch Archi­tekten has desi­gned the new aquatic sports center Sportbad Fried­richs­hafen as a buil­ding that reveals its quali­ties from the inside out: this newbuild, with its diffe­ren­tiated roofs­cape, is arranged around a land­scaped internal cour­tyard and resem­bles an island of rela­xa­tion and recup­er­a­tion. A sport pool, sauna area and water features all contri­bute to a diverse amenity that appeals to adults, children, sport fans, and recrea­tional users alike.

The idea of flowing tran­si­tions in a two-storey bathing and sauna land­scape was skilfully imple­mented not least with tiles from the brands Agrob Buchtal and Jasba.

Access

The newly completed public area situated between the aquatic sports center, parking garage, and ZF-Arena will func­tion as an open-air space for many diffe­rent purposes. Vehicles are banned from the fore­court in front of the center, making it an attrac­tive entrance for recrea­tional and athletic guests.

Behnisch Archi­tekten desi­gned a diffe­ren­tiated, well-propor­tioned ensemble struc­tured around an inte­rior cour­tyard and land­scaped garden. This island of rela­xa­tion opens up on a number of levels with attrac­tive exte­rior areas and a sauna garden. A conti­nuous roof is stag­gered in height, brin­ging the struc­ture toge­ther and harmo­niously linking the various func­tional sections.

The surroun­ding glass facades make the Sportbad Fried­richs­hafen reco­gnizable already from the outside as a bathing land­scape. The divi­sion into a spacious bathing area with swim­ming pool and child­ren’s pool on the ground floor and a more inti­mate upper floor with sauna, cate­ring and staff rooms is also easy to read.

Flooded with light, the foyer of the aquatic sports center welcomes visi­tors with a plea­sant atmo­sphere; it also gives indi­vi­dual guests and school and club groups suffi­cient space to meet up and spend some time. The trans­pa­rent design provides views through to the pool area and lets visi­tors get their initial bearings.

The pools

After people have walked past the ticket desk they divide up and go to diffe­rent desti­na­tions around the buil­ding. Sauna guests use a wide stair­case to access the upper level, while swim­mers pass the vanity areas to enter the chan­ging cubicles for indi­vi­dual and groups.

On a total water surface of around 1,200 m², several heated swim­ming pools and a variety of water attrac­tions are available on ground floor level. These include

- a swim­ming pool with six lanes

- a school and club pool with five lanes

- a course pool with movable floor

- a multi pool with floor bubbles and neck showers

- an outdoor saline pool with swim out channel, bubble loun­gers and massage jets

- a toddler pool

- an 83 m long water slide

All swim­ming pools and pool surrounds as well as the floors of all showers, chan­ging rooms and access areas are provided with finely coor­di­nated and precisely defined tile cove­rings of the brand Agrob Buchtal.

The sports pool is barrier-free and acces­sible at ground level. There is a mobile lift for wheel­chair users in the pool, which is driven to the desired pool by the staff.

Cour­tyard

The heart of the complex is the land­scaped inte­rior cour­tyard. From the outside this wonderful world is only discreetly discer­nible, although it never seems too heavily screened. It can only really be expe­ri­enced when the visitor enters the buil­ding and steps through to the inte­rior: an open-air section with patios and a sauna garden, enclosed from all sides and abun­dantly planted and brought to life with bushes and small trees.

Arranged around this inte­rior cour­tyard are the bathing areas, with a textile steam bath (swim­suits required), the external swim­ming channel, an area for babies and todd­lers featuring various attrac­tions, a lear­ners’ pool, a swim­mers’ pool, and an eighty-meter water slide. The pool for schools and clubs has an inte­grated diving section with one-meter, three-meter, and five-meter boards, and part of the floor can be raised or lowered.

Atmo­sphere

The appearance of the bathing world on the ground floor is charac­te­rized in parti­cular by the high propor­tion of daylight, the spacious­ness and the consis­t­ently sporty, fresh and yet unob­tru­sive colours. The walls and ceilings appear in velvety fair-faced concrete or with warm wood clad­ding.

The essen­tial link for the seam­less tran­si­tions between the indi­vi­dual bathing areas are the porce­lain stone­ware floor tiles of the Trias series from Agrob Buchtal, which are uniformly finished in zinc grey. They were used in two formats: as a filigree 5 x 5 cm mosaic and as 30 x 60 cm tiles. This larger format was laid in free bond above all in the chan­ging rooms as well as in the access and rest zones.

The mosaic format also realized with ceramic tiles of the brand Agrob Buchtal can be found around the swim­ming pools and in the wet areas. On the one hand, because it reliably meets the requi­re­ments of slip resis­tance class R11/B and on the other hand, because connec­tions to other compon­ents such as drains, columns, gutters etc. or drai­nage areas can be realized more easily and aesthe­ti­cally with this small format.

The swim­ming area

The mate­rials used for the swim­ming area under­line its open and trans­pa­rent character, suffused with light. Patterned with holes and acou­sti­cally effec­tive, the warmly toned wooden ceiling makes for a plea­sant contrast.

All heated benches are covered with round mosaics not least because a specific advan­tage of this mate­rial is that it clings direc­tion­lessly and homo­ge­neously to such curved struc­tures like a tailor-made suit.

The chan­ging and sani­tary rooms are deco­rated bright yellow to compen­sate atmo­sphe­ri­cally for the absence of daylight.

The heated benches and circles

The orga­ni­cally shaped heated benches in sea green offer seating and lounging places for rela­xing. At the same time they set plea­sant colour accents and also struc­ture the bathing land­scape.

They have partial surfaces with round mosaics with a diameter of 1 cm, which then merge into round mosaics with a diameter of 2 cm via vertical surfaces. The hori­zontal surfaces of the heated benches were desi­gned in the slip-resistant R11/B version because it cannot be ruled out that young bathers will walk on them. The round mosaic of the Loop series also deco­rates the walls and the floor of the child­ren’s pool. In order to intui­tively convey to the little ones the incre­asing depth of water towards one side, the floor has an even colour gradient from light aqua blue to aqua blue over a length of 3 metres.

The archi­tects also decided in favour of round mosaics because circles play a key role in the buil­ding concept of smooth tran­si­tions. As a recur­ring design element, they have a signi­fi­cant influence on the general appearance of the sports pool: in addi­tion to round columns, skylights and lumi­n­aires, there are also acou­stic ceilings with round perfo­ra­tions.

Sauna world

The sauna world on the upper level successfully inte­grates various kinds of sauna, inno­va­tive shower expe­ri­ences, a plunge pool, assorted quiet spaces featuring diffe­rent moods, and a room with an open hearth—all adding up to the perfect condi­tions for hours of rela­xa­tion.

The cate­ring faci­li­ties are situated on the upper level too, between the swim­ming and sauna areas; these can be used by visi­tors to both sections. An elegant open stair­case links not only the diffe­rent func­tions but also both levels at this point.

With regard to formats and loca­tions, the floor tiles of the Trias series of Agrob Buchtal were used iden­ti­cally in the sauna area of the upper floor as in the bathing land­scape on the ground floor. The only diffe­rence is the slightly darker colour iron ore, which, toge­ther with the gene­rally warmer and eart­hier range of colours, creates a cosy room atmo­sphere.

Expe­ri­ence showers and sea steam bath

The archi­tects composed the expe­ri­ence showers with great atten­tion to details: they were also executed with round mosaics (2 cm diameter) from the Loop series in a speci­ally desi­gned colour gradient from coral-red to bronze-metallic to dark violet, produced by Agrob Buchtal espe­ci­ally for this project.

The sea steam bath offers another, like­wise unmist­akable colour world. Square 2 x 2 cm mosaics of the Amano series of the brand Jasba were used there. With the colours anthr­acite and pure blue as well as water­co­lour-like, glossy surfaces, this ceramic wall cove­ring makes atmo­spheric refe­rence to the under­water world of the nearby Lake Cons­tance.

Conclu­sion

The Sportbad Fried­richs­hafen follows a clear plan – from concept to detail. The whole is more here than the sum of its parts and makes the Sportbad Fried­richs­hafen a model for unpre­ten­tious but at the same time memo­rable archi­tec­ture.

The Sportbad Fried­richs­hafen is a show­case example of how strong the emotional effect of ceramic wall and floor tiles can be. The great variety of colours, forms and formats in this project is never an end in itself, but always part of a sensuous holi­stic overall compo­si­tion, which lives not least from details that are initi­ally hardly noti­ceable, such as, for example, the letter plates made of floor tiles from the series Trias of Agrob Buchtal, which indi­cate the depth of the water at the pool edges.

Instead of using stan­dard off-the-shelf stain­less steel panels, the archi­tects wanted to use tiles of diffe­rent colours to create a homo­ge­neous appearance. After cutting out the nume­rals using water jet tech­no­logy, the parts were reas­sem­bled, pointed and inte­grated as “ceramic inlays” with a casual natu­ral­ness – one of many proofs for the successful symbiosis of unob­tru­sive crea­ti­vity and archi­tec­tural strin­gency.

Laid-back.

We did this.

Compa­nies involved & Links

Client

City of Fried­richs­hafen
Stadt­bauamt Fried­richs­hafen
Char­lot­ten­straße 12
D – 88046 Fried­richs­hafen

 

Operator

City of Fried­richs­hafen
Amt für Bildung, Betreuung und Sport
Bäder­be­triebe
Sport­park 1
D – 88046 Fried­richs­hafen

 

Archi­tects

Behnisch Archi­tekten
Rote­bühl­straße 163A
D – 70197 Stutt­gart

 

Address

Sportbad Fried­richs­hafen
Am Sport­park 1
D – 88045 Fried­richs­hafen

Opening

2019

Tiles

Agrob Buchtal GmbH
Buchtal 1
D‑92521 Schwar­zen­feld

 

Photos

©Behnisch Architekten/Agrob Buchtal
Fotos: David Matthiessen

Text

Johannes Bühl­be­cker
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werk12

BOAH!

WERK12 in Munich

MVRDV

AAHHH

The design of WERK12 combines a simple form, honest mate­rials, and trans­pa­rent façades. Users can move around the buil­ding in multiple ways: the design’s external circu­la­tion core on the building’s northe­as­tern side is supple­mented by 3.25-metre-wide terraces that surround each floor of the buil­ding. These are connected by external stair­cases curling around the buil­ding to connect these gene­rous open spaces (a playful refe­rence to one of MVRDV’s most famous early projects, the Dutch Pavi­lion at the Expo2000 in Hanover). This public route up the buil­ding blurs the distinc­tion between inte­rior and exte­rior, placing the inte­rior spaces in conver­sa­tion with exte­rior balco­nies. These are addi­tio­nally finished in the same mate­rial as the ground-level side­walks to empha­sise their status as part of the public area of the buil­ding.

OH

The façade is animated by an urban art piece deve­loped in tandem with local artists Chris­tian Engel­mann and Beate Engl, compri­sing bold lette­ring spel­ling out common expres­sions taken from the German version of Donald Duck comics. This 5‑metre-tall lette­ring, and the collo­quial nature of the expres­sions chosen, are a tribute to the graf­fiti culture and exten­sive use of signage found on the old site. At night, the appearance of the buil­ding is trans­formed by its illu­mi­na­tion stra­tegy. Simple geome­tries and honest mate­rials morph into a vibrant light­show.

PUH

“The area of the Werks­viertel-Mitte district has already under­gone such inte­res­ting changes, trans­forming from a potato factory to a legen­dary enter­tain­ment district,” says foun­ding partner of MVRDV Jacob van Rijs. “With our design, we wanted to respect and cele­brate that history, while also crea­ting a foun­da­tion for the next chapter. WERK12 is stylish and cool on one hand, but on the other it doesn’t take itself so seriously – it’s not afraid to say ‘PUH’ to passers-by!”

HMPF

The five floors of the buil­ding are occu­pied by restau­rants and bars on the ground floor, the offices of Audi Busi­ness Inno­va­tions on the top floor, and a three-storey gym in between that includes one storey dedi­cated to a swim­ming pool. WERK12’s floor-to-ceiling glass walls, combined with its loca­tion near to the train station, provide the upper levels with stun­ning views towards central Munich, punc­tuated in places by the lette­ring on the building’s terraces – many of which take on a new meaning when read in reverse.

WOW

A key to the design was in the flexi­bi­lity of the spaces. The building’s extra-high ceilings – with 5.5 metres between each floor – allows for mezza­nines or other level changes to be added by future users. The place­ment of the circu­la­tion on the outside of the buil­ding means that the inte­riors can be easily recon­fi­gured, while also provi­ding struc­tural stabi­lity through the use of the diagonal stair­cases.

We did this.

Compa­nies involved & Links

Client

OTEC GmbH & Co. KG
ECKhaus | Atelier­straße 1
D – 81671 München

Opening

2019

Photos

Ossip van Duiven­bode
Halve­ma­an­pas­sage 103
NL – 3011DL Rotterdam

Archi­tects

MVRDV Rotterdam
Achter­klooster 7
NL – 3011 RA Rotterdam
Winy Maas, Jacob van Rijs and Nathalie de Vries, Jacob van Rijs, Fokke Moerel, Markus Nagler, Roy Sieljes and Jona­than Schuster, Antonio Luca Coco, Pavlos Ventouris, Kirill Emelianov

N‑V-O Nuyken von Oefele Archi­tekten BDA
Winze­rer­strasse 44
D – 80797 München

Operator & Address

body + soul
WERK12
Spei­cher­strasse 20
D – 81671 München

 

Text

Johannes Bühl­be­cker
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Plans

Videos

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A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

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Limmasol Tower

Home is where the pool is

​​Limmasol Tower

Hamonic+Masson & Asso­ciés

Cyprus

Cyprus is an excep­tional terri­tory. Sea, sun and beauty adorn its land­scape and provide the oppor­tu­nity for unique housing. The propo­si­tion for the Limmasol Tower by Hamonic+Masson & Asso­ciés seeks to capture this natural sple­ndour for future inha­bi­tants.

Their wild apart­ment tower concept has round swim­ming pools sprou­ting almost orga­ni­cally from the facade on all sides. Lima­ssol Tower grants every unit in the buil­ding its own private pool, over­loo­king the spar­k­ling Medi­ter­ra­nean horizon.

Cove­ring a total of 6,000 square meters (roughly 64,600 square feet), the resi­den­tial tower houses 19 luxury apart­ments, an under­ground fitness zone, art gallery and spa.

Corolla system

The project rises from nature, echoed by the corolla-shaped balco­nies found in each apart­ment. Home to private swim­ming pools and planted green areas, they are like an inde­pen­dent island, but simul­ta­neously have a direct link to the apart­ment. This creates a luxu­rious living expe­ri­ence, where exte­rior meets inte­rior.

A sliding glass door is the only element sepa­ra­ting living areas from the balco­nies, meaning the feeling of being outside is possible simply by opening the window.

The corolla system is also found on the ground floor green land­scape; round plat­forms and suns­hades engender a distinc­tive archi­tec­tural concept.

Nice contri­bu­tion

Unique expe­ri­ence

On the ground floor a regal entrance opens the doors to a unique living expe­ri­ence. Hamonic+Masson & Asso­ciés seek to enhance quality of living by offe­ring a range of amen­i­ties: an under­ground fitness zone illu­mi­nated by natural sunlight, an art gallery on the ground floor and a premium spa on the first floor, all with inde­pen­dent entrances. Well­being and luxury combine to create an exclu­sive living expe­ri­ence.

The design for the Limmasol Tower offers many special features and a lot of amen­i­ties. It is not very likely that this design will ever be realized, but it is a beau­tiful and imagi­na­tive contri­bu­tion to the never-ending theme of “pools in lofty heights”.

We did this.

Compa­nies involved & Links

Images

Raphaël Petit
Jean-Charles Augier

 

Archi­tects

Hamonic+Masson & Asso­ciés
93 rue Mont­martre
F – 75002 Paris

 

Text

Johannes Bühl­be­cker
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Plans

Sket­ches

Axono­me­tries

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Schön­berg Sports Hall

Schön­berg Sports Hall

A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

EVE Music Hall

EVE Music Hall

A cultural center in a field? Music, like sports, is a driving force for deve­lo­p­ment.

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Turó de la Peira

Smells like green spirit

Turó de la Peira sports centre

Anna Noguera + Javier Fernandez

About

In 2015, the Barce­lona City Council held an archi­tec­tural compe­ti­tion for the design of an urban block and a sports faci­lity consis­ting of an indoor swim­ming pool and a sports court: Turó de la Peira.

The winning proposal by Anna Noguera and Javier Fernandez frees space from the urban envi­ron­ment prior to the inter­ven­tion and creates a large garden provi­ding envi­ron­mental quality. The buil­ding is half-buried and mini­mizes its impact towards the garden through a green gallery that surrounds it.

Urban rege­nara­tion

Prior to the inter­ven­tion, the urban envi­ron­ment was an unstruc­tured space consis­ting of a sum of resi­dual spaces; a space occu­pied by a sports court tucked between neigh­boring buil­dings, and a pool of obso­lete faci­li­ties. An urban land­scape of hard pave­ment, concrete walls and total absence of vege­ta­tion.

One of the new Turó de la Peira sports centre’s aims is to reclaim the free space inside the block from the old Calderón de la Barca swim­ming pool to the Turó de la Peira Muni­cipal Sports Track as a green area for local resi­dents. That is why the two old faci­li­ties, the swim­ming pool and the track, have been brought toge­ther under the same roof.

Volu­metric inte­gra­tion

Turó de la Peira is composed by the overlap of two large spaces: the swim­ming pool on the ground floor and sports hall on the upper floor.

The buil­ding is placed half-buried, adap­ting the topo­graphy and bridging the diffe­rence in level between the two streets. The facade to Sant Iscle Street has an urban character, with a corner porch that extends the side­walk and invites us to enter.

The buil­ding mini­mizes its impact to the garden with a green, surroun­ding gallery. The volume is one more element of the garden, not mimi­cking but dialo­guing with it.

Energy effi­ci­ency

Turó de la Peira was desi­gned under sustaina­bi­lity criteria. And that is because the buil­ding was desi­gned for maximum perfor­mance: solar orien­ta­tion, green facade and thermal insu­la­tion etc. What is more, it gene­rates rene­wable energy through photo­vol­taic panels.

The design of the buil­ding has been carried out with passive archi­tec­ture criteria. Skylights and windows, moni­tored by sensors, ensure proper cross-venti­la­tion.  

The compact and embedded volume mini­mizes the façade surface avoi­ding thermal losses.  The thermal insu­la­tion of the whole enclo­sure has been selec­tively treated accor­ding to solar orien­ta­tion.

Effi­cient systems

The building‘s aero­thermal system allows the reco­very of heat to produce hot water. The lighting has power control systems depen­ding on the natural lighting.

The photo­vol­taic panels occupy the entire roof deck and gene­rate 90% of the energy needed to run Turó de la Peira.

The excel­lent charac­te­ristics of the wood in rela­tion to its life­cycle, was one of the reasons for choo­sing the prefa­bri­cated system in lami­nated wood. It was also assessed due to its good mecha­nical perfor­mance, its light­ness and its short cons­truc­tion time.

Green façade

A green gallery surrounds Turó de la Peira protec­ting it from the sun and crea­ting a biocli­matic space. The access ramp to the sports court runs between the facade and the green mesh where the vines grow.

From the court, the entire green facade is totally perceived through the curtain wall, enjoying its flowe­ring changes accor­ding to the time of the year.

Water recy­cling

A large tank located in the base­ment coll­ects rain water from the roof for reuse for the entire irri­ga­tion of the green façade by means of a hydro­ponic system.

In the garden’s site deve­lo­p­ment, drai­ning strips at the bottom of the slopes collect rain­water to return it to the water table.

We did this.

Project data and compa­nies involved

Client

Institut Barce­lona Esports
Ajun­ta­ment de Barce­lona

Photos

Enrich Duch

Archi­tects

Arqui­tec­tura Anna Noguera
Javier Fernandez
Aragó 224, 3er 1a
ES – 08011 Barce­lona

Text

Anna Noguera
Javier Fernandez

Address

Turó de la Peira
Carrer de Sant Iscle, 50, 54
ES – 08031 Barce­lona

Opening

2018

Video

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At “More Sports. More Archi­tec­ture.” you will find func­tional, spec­ta­cular and simply beau­tiful buil­dings and faci­li­ties for sports and leisure.

Schön­berg Sports Hall

Schön­berg Sports Hall

A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

EVE Music Hall

EVE Music Hall

A cultural center in a field? Music, like sports, is a driving force for deve­lo­p­ment.

Sea Horse

Eye-Catching

Sea Horse in Chong­qing

100 Archi­tects

30 Million

Sea Horse is a water park desi­gned for the public space of a new resi­den­tial compound built in Chong­qing, a mega­city in southwest China (popu­la­tion: 30 Million).

The communal public areas of the compound count with a swim­ming pool area for resi­dents, which is comple­mented with this water play­scape for kids, with the aim of foste­ring enter­tain­ment & social inter­ac­tions among resi­dent kids.

Sea Horse

Follo­wing with the themed series of Horse play­grounds from our client, they commis­sioned us this new play­scape with the parti­cular request that this one had to include water features in it. When rela­ting the Horse theme park and the water features, it was obvious for us that the twist of this project had to be a Sea Horse approach, the Horse of the water realm.

Ther­e­fore, the water park features a main sunken wet area in the shape of a Sea Horse, which can be unders­tood not only from a pede­strian point of view within the play­scape, but also from all the surroun­ding resi­den­tial towers.

Features

As main wet area, the Sea Horse sunken plat­form hosts the big majo­rity of water features, custo­mized in the same color palette, and sprink­ling water towards the inte­rior of that sunken wet plat­form.

The surroun­ding areas of the Sea Horse are treated in a contras­ting striped color palette, defi­ning a dry play area which contains dry playful features in order to make the play­scape usable & playable also during winter months. Those dry playful features are desi­gned in a circular shape, mimi­cking water ripples of acti­vity.

Bird’s eye view

The resul­ting image is a colorful and eye-catching play­scape, which includes playing features for kids as well as shaded seating features for adults, visible from all the resi­den­tial towers surroun­ding the central public space.

We did this.

Project data and compa­nies involved

Photos

Amey Kandal­gaonkar

Text

100 Archi­tects

Archi­tects

100 Archi­tects
Shanghai China
Street Archi­tec­ture & Urban inter­ven­tions 

Staff

Marcial Jesús, Javier González, Lara Broglio, Mónica Páez, Keith Gong

Address

Ping­jia­qiao Road 36
Chong­qing China

Opening

2019

Video

More images

Visit our Blog

At “More Sports. More Archi­tec­ture.” you will find func­tional, spec­ta­cular and simply beau­tiful buil­dings and faci­li­ties for sports and leisure.

Schön­berg Sports Hall

Schön­berg Sports Hall

A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

EVE Music Hall

EVE Music Hall

A cultural center in a field? Music, like sports, is a driving force for deve­lo­p­ment.

Prei­ke­stolen

Do not look down

Infi­nity Pool at Prei­ke­stolen

Hayri Atak

Tom Cruise at 604 m alti­tude

Prei­ke­stolen (“The Pulpit Rock”) is a tourist attrac­tion in Norway, a steep cliff which rises 604 metres above the Lysefjorden. Atop the cliff, there is an almost flat top of appro­xi­m­ately 25 by 25 metres. Prei­ke­stolen is located near the Western part of the fjord, and on its North side. The final fight scene in “Mission: Impos­sible – Fallout“ features Tom Cruise clim­bing the face of the cliff at Prei­ke­stolen.

Nine suites, one pool

Inspired by this scenic over­look, Hayri Atak Archi­tec­tural Design Studio has desi­gned a spec­ta­cular concept for an infi­nity pool and a boutique hotel. The proposal features the accom­mo­da­tions nestled onto a side of Prei­ke­stolen over the Lysefjorden fjords.

The canti­le­vered glass-bottom pool allows coura­geous swim­mers to enjoy the water while looking down into the fjord. The nine-suite hotel would be entered from the top of the cliff, with a common lounge area and guest rooms nestled into the face of the rock. The upper entryway would double as a scenic over­look, while real adven­ture seekers would want to venture to the pool deck.

Emotions

The entire concept was inspired by a photo­graph sent to studio founder Hayri Atak. Thrilled by the photo a friend took during her vaca­tion to Norway, Atak sought to capture the adre­na­line pumping scene into his archi­tec­ture. “Even though I wasn’t there, I expe­ri­enced the adre­na­line of being on the edge,” Atak said. “Then I dreamed of living on and beyond the edge. Simply, I just wanted to carry this expe­ri­ence beyond the edge and the idea of having this expe­ri­ence inspired me.”

Prei­ke­stolen attracts more than 300,000 visi­tors every year. You usually have to wait a long time to take a picture of the soli­tary crea­ture on the moun­tain plateau. For this reason alone it is hard to imagine that a hotel will ever be built here. It is, however, a lesson about the importance of emotions for archi­tec­ture. And it is a wonderful inspi­ra­tion and moti­va­tion for coura­geous ideas and designs.

We did this.

Archi­tect and address

Archi­tect

Hayri Atak
Ataşehir – İstanbul
Türkei

Address

Prei­ke­stolen
4129 Songe­sand

Norwegen

Videos

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At “More Sports. More Archi­tec­ture.” you will find func­tional, spec­ta­cular and simply beau­tiful buil­dings and faci­li­ties for sports and leisure.

Schön­berg Sports Hall

Schön­berg Sports Hall

A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

EVE Music Hall

EVE Music Hall

A cultural center in a field? Music, like sports, is a driving force for deve­lo­p­ment.

vital:werk

A lesson in harmony

The vital:werk in Waldshut-Tiengen

DUFFNER ARCHITEKTEN BDA

About

In autumn 2018, the comple­tely reno­vated and signi­fi­cantly expanded indoor pool with sauna opened in Waldshut-Tiengen, a district town in Baden-Würt­tem­berg with just under 25,000 inha­bi­tants. It is now called vital:werk.

The buil­ding complex from the 1970s, which also includes the town hall, no longer met today’s requi­re­ments for acces­si­bi­lity, fire protec­tion and buil­ding services. In addi­tion, the faci­li­ties offered should be extended to be in keeping with the times.

Room acou­sti­cally effec­tive real wood surfaces by Ligno­trend support the lively and harmo­nious impres­sion of the pool.

All in one

The vital:werk was to be func­tion­ally combined with rooms for theatre, concerts and sports, equipped for the future, and be attrac­tively and econo­mic­ally desi­gned.

Until the buil­ding appli­ca­tion, a consor­tium of four archi­tects worked toge­ther on the plan­ning concept for the entire complex, after which the indi­vi­dual areas were sepa­rated.

A new pres­ti­gious foyer buil­ding was erected in front of the exis­ting buil­ding. In addi­tion, a new sauna complex was created, which is situated under the ground with two atriums.

The vital:werk

The moder­ni­sa­tion and expan­sion of the indoor swim­ming pool was planned by the archi­tect Michael Duffner, who is based in Waldshut-Tiengen. The vital:werk has been extended by around 500 m². A compe­ti­tion pool was already in place, the flexible lear­ning pool with cubic capa­city floor and slide as well as an addi­tional toddler bathing area with play attrac­tions are new.

Equipped with now three pools, a play area and a comfor­table heated lounging area, the vital:werk is now ideal for fami­lies, as well as swim­ming clubs and school sports.

Zest and atmo­sphere

Wood played a crucial role in the inte­rior design of the baths. The plan­ners wanted to create a quiet and at the same time lively and harmo­nious atmo­sphere, and they have succeeded very well.

The finely profiled real wood surfaces made of light, knot­less, processed silver fir wood make a decisive contri­bu­tion to this posi­tive impres­sion. They are arranged undu­la­ting between the concrete beams of the ceiling on a wooden struc­ture. They are called Ligno Acou­stic light and were manu­fac­tured by cross lami­nated timber specia­list Ligno­trend.

In order to enhance the charisma of the wood surface, the archi­tects wanted to inte­grate the neces­sary ceiling fixtures as discreetly as possible. The openings for the venti­la­tion system, for example, are desi­gned as narrow joints between panels and joists. The lighting was comple­tely decou­pled from the wooden elements.

Of course, all built-in elements meet the buil­ding physics requi­re­ments. There is no reason why wood should not be used for indoor swim­ming pools. The mate­rial will always remain dry. To meet the requi­re­ments for a public assembly room, a special version of the acou­stic panels fulfils the criterion of a “flame-retar­dancy of the surface”.

Anything else?

Even in a sepa­rate room for events with plenty of glass, which serves school classes and swim­ming clubs as a teaching room, Ligno Acou­stic light panels are installed on the wall and improve the acou­stic atmo­spheres. This also applies to the pool atten­dant’s room. 

In the sauna, the archi­tects adapted the surfaces to the furnis­hings. Ther­e­fore, they decided to use fine-grained hemlock fir instead of silver fir.

Conclu­sion

After almost three years of cons­truc­tion, the ensemble consis­ting of  town hall and vital:werk was reopened in autumn 2018. The buil­ding, which has been expanded to a total of 3,600 m² – almost doubling in size – now accom­mo­dates around 1,200 visi­tors.

Thanks to its successful design and the clever and sustainable choice of mate­rials used, it quickly became the most promi­nent cultural centre of Waldshut-Tiengen.

We did this.

Project data and compa­nies involved

Archi­tects

Michael Duffner
Dipl.-Ing. Freier Archi­tekt BDA
Kalva­ri­en­berg­strasse 1 a
D – 79761 Waldshut-Tiengen

Overall design

S 4 Archi­tekten Waldshut-Tiengen
Michael Duffner, Gerold Müller, Henning Musahl, Ernesto Preiser

Text

Iris Darstein-Ebner
Ruess Public T GmbH

Photos

Ligno­trend / Foto: Foto&Design, Waldshut-Tiengen

Operator & adress

vital:werk
Fried­rich­straße 9
D‑79761 Waldshut-Tiengen

Ceiling panels

Ligno­trend
Land­strasse 25
D–79809 Weil­heim-Bann­holz

Wood in indoor swim­ming pools

The ideal choice

Mois­ture beha­viour

The intrinsic mois­ture of wood remains uncri­ti­cally low even in the typical indoor climate. The mate­rial is also insen­si­tive to chlo­rine-conta­mi­nated air. In indoor swim­ming pools, wooden elements outside of the spray water area can be used without hesi­ta­tion, because the common venti­la­tion systems with humi­dity control define both indoor climate and wood mois­ture. At an assumed tempe­ra­ture of 30°C and a rela­tive humi­dity of 55% to a maximum of 75%, it sets itself at about 14%. This is a value that is defi­ni­tely too dry for harmful orga­nisms like mould.

Room acou­stics

The room acou­stics effect of the elements is achieved mainly by natural wood fibre absor­bers, which are inte­grated behind the joints of the cover layer in the elements. This allows absorp­tion values αW up to 0.90 to be achieved and diffe­rent room acou­stics targets to be imple­mented, as required in the rele­vant direc­tives, for example in DIN 18041 in Germany. For highest buil­ding biology quality, the panels are tested accor­ding to the parti­cu­larly strict certi­fi­ca­tion system “nature­plus”.

Fire protec­tion

The flame-retar­dant Ligno real wood acou­stic panels treated with a new impreg­na­tion, show their natural wood tone authen­ti­cally and thus stand in a char­ming contrast to the other­wise rather hard and cool-looking mate­rials that were used in Waldshut. In case of fire, sani­tary fire-retar­dants in the wood delay the spread of the fire.

Ligno­trend

Ligno­trend is known for inno­va­tion, high quality and free confi­gu­ra­tion of the products in terms of indi­vi­dual requi­re­ments. Safe buil­ding with free plan­ning is possible without rest­ric­tions with the products of the company. With product deve­lo­p­ment, ther­e­fore, the focus is clearly on the archi­tec­tural class and the best buil­ding struc­tural physics proper­ties (room acou­stics, sound insu­la­tion and large spans).

Health safety and ecolo­gical harm­less­ness as well as long-term func­tion­a­lity and value reten­tion are the central compon­ents of the product philo­sophy – certi­fied accor­ding to the strict rules of nature­plus e.V.

The company Ligno­trend based in Weil­heim-Bann­holz (Germany) has been produ­cing cross-lami­nated timber elements for modern timber cons­truc­tion since 1992. They are used throug­hout Europe in resi­den­tial cons­truc­tion and in muni­cipal / commer­cial buil­ding cons­truc­tion. Ligno­trend curr­ently employs 130 people and has a produc­tion capa­city of 200,000 m² per year. 

The company’s product range includes solu­tions for cons­truc­tion, inte­rior design and facades – from load-bearing wall, ceiling and roof elements to acou­stic panels, insu­la­tion stands and facade panels.

Visit our Blog

At “More Sports. More Archi­tec­ture.” you will find func­tional, spec­ta­cular and simply beau­tiful buil­dings and faci­li­ties for sports and leisure.

Schön­berg Sports Hall

Schön­berg Sports Hall

A three-court gymna­sium, a sports hall, a fitness area, and blea­chers featuring striking archi­tec­ture.

EVE Music Hall

EVE Music Hall

A cultural center in a field? Music, like sports, is a driving force for deve­lo­p­ment.

Infi­nity London

Pool with a view

Infi­nity London

Compass Pool

Ambi­tious

Death defying swim­ming pools are set to become an archi­tec­tural trend in central London, allo­wing visi­tors to float over 200 metres above the capital’s skyline. Pool desi­gners at Compass Pools have deve­loped Infi­nity London, the only buil­ding in the world to incor­po­rate a 360-degree infi­nity pool.

The pool is made from cast acrylic rather than glass, as this mate­rial trans­mits light at a similar wave­length to water so that the pool will look perfectly clear.

The floor of the pool is also trans­pa­rent, allo­wing visi­tors to see the swim­mers and sky above.

Getting into the water

Swim­mers will access the pool through a rota­ting spiral stair­case based on the door of a subma­rine, rising from the pool floor when someone wants to get in or out. A little bit James Bond to boot!”

Normally a simple ladder would suffice, but the desi­gners didn’t want stairs on the outside of the buil­ding or in the pool as it would spoil the view – and obviously they don’t want 600,000 litres of water drai­ning through the buil­ding either.

Buil­ding services

Other advanced tech­nical features include a built-in anemo­meter to monitor the wind speed. This is linked to a computer-controlled buil­ding manage­ment system to ensure the pool stays at the right tempe­ra­ture and water doesn’t get blown down to the streets below.

Boas­ting an inno­va­tive twist on rene­wable energy, the pool’s heating system will use waste energy from the air condi­tion system for the buil­ding. The hot gas that is produced as a by-product of crea­ting cold air in the buil­ding will run through a heat exch­anger to heat the water for the pool.

The pool is also fitted with a full spec­trum of lights which will give the buil­ding the appearance of a spar­k­ling jewel-topped torch at night.

Approach

Compass Pool’s swim­ming pool desi­gner and tech­nical director Alex Kemsley commented: “Archi­tects often come to us to design roof top infi­nity pools, but rarely do we get a say in the buil­ding design because the pool is usually an aftert­hought.

“But on this project, we actually started with the pool design and essen­ti­ally said, ‘how do we put a buil­ding under­neath this?’ “When we desi­gned the pool, we wanted an unin­ter­rupted view, both above and below the water.

It will have a five-star inter­na­tional hotel on the top floors of the buil­ding with the pool used by the guests.

Hotel Olympus Palace

See and be seen

Hotel Olympus Palace in Salou

Matic & Garau & Agrob Buchtal

Very, very welco­ming

The water shim­me­ring myste­riously blue through the glass panels of the rooftop pool is already visible from afar and makes the roof of the Hotel Olympus Palace an unmist­akable land­mark, espe­ci­ally in the evening. Hotel guests and passers-by who have become curious and visit this roof terrace find a new open areas with a large pool land­scape desi­gned by the Barce­lona archi­tec­ture office Matic & Garau.

With sand-beige porce­lain stone­ware tiles of the Valley series of Agrob Buchtal, the restrained, elegant area invites to swim and sunbathe, but also to enjoy deli­cious drinks and events at the bar.

Salou is located in the heart of the Costa Daurada in the province of Tarra­gona and is charac­te­rized by its gently sloping and fine sandy beaches. The rich histo­rical heri­tage with medieval monas­te­ries, inte­res­ting villages and beau­tiful land­scapes as well as the excel­lent Medi­ter­ra­nean cuisine make Salou an ideal holiday desti­na­tion.

The Hotel Olympus Palace is located in the heart of the city’s tourist centre, just 300 metres from the beach.

Archi­tect

Matic & Garau
C/Rosselló 233 5th floor
SP – 08008 Barce­lona

Client

Hotels Olympus Palace
Carrer de Navarra, 6
43840 Salou
SP – Tarra­gona

Ceramic tiles

AGROB BUCHTAL GmbH
Buchtal 1
D‑92519 Schwar­zen­feld 

General reno­va­tion of 1600 m² roof terrace

The wexten­sive reno­va­tion of the hotel, which was built in the mid-1970s and has around 250 rooms, was completed in 2018 and focused in parti­cular on the 1600 m² roof area above the 6th floor.

High above the centre of the city not far from Tarra­gona, there was previously only a small water basin, two whirl­pools and a few areas for deck chairs. In their place, the hotel opera­tors wanted to realize a spacious roof terrace with pools, fitness area, bar and plenty of space for sunbathing.

“The aim was to create a spec­ta­cular roof land­scape that would change the image of the hotel and which is unique in Salou,” explains the  archi­tect Dubravka Matic. “The hotel guests should not only enjoy the refres­hing water, the cool wind and the view of the Medi­ter­ra­nean Sea, but also the relaxed lounge atmo­sphere with evening events and concerts around the bar.

Address

Hotels Olympus Palace
Carrer de Navarra, 6
43840 Salou
SP – Tarra­gona

Aerial view

Unusual vies from outside and inside

For the archi­tects, the restruc­tu­ring of the roof area was parti­cu­larly chal­len­ging above because the loca­tion and size of the water basins had to be precisely matched to the load-bearing capa­city of the exis­ting struc­ture, the exis­ting pipes and the posi­tion of nume­rous vertical exhaust air shafts.

Right from the begin­ning, the design concept provided for a raised pool area in the centre of the southern part of the roof area with a water surface appro­xi­m­ately 1.5 m above the U‑shaped sun-deck around it.

This solu­tion enabled long glass panels in the pool side walls, which offer swim­ming and diving bathers a view over the city and the sea, but also open up unusual under­water views in the oppo­site direc­tion.

Feed­back

Remi­nis­cent of natural elements of the Costa Daurada

A glance through these glass panels into the inte­rior of the pool reveals another special feature: large-size sand-beige porce­lain stone­ware tiles from the Valley series of Agrob Buchtal, which lend the 85 m² pool an unob­tru­sive noblesse thanks to their earthy relief struc­ture and natural look.

After tests carried out speci­fi­cally for this purpose, the archi­tects chose exactly these tiles because they perfectly harmo­nize with the nearby sandy beaches and rocks of the Costa Daurada, but also because they make the water sparkle parti­cu­larly inten­sely blue in the sun. “The light colour and the large formats should also create a modern appearance and avoid over­hea­ting,” says Matic. The 60 x 120 cm format used for the pool floors and walls not only offers an excep­tional visual impres­sion but also the advan­tage of a low propor­tion of joints, so that the clea­ning effort for the tiles is compa­ra­tively low despite the appro­priate slip resis­tance.

The same applies to the 15 m² whirl­pool, which is also located in the raised pool area directly next to the 20 m long large pool.

The pairs of columns placed in the centre of the pool area were also cladded with large-size porce­lain stone­ware tiles of the series Valley. These pairs carry a kind of white pergola with a similar cross-section, which extends over the entire width of the buil­ding. The columns discreetly hide the venti­la­tion shafts of the hotel bath­rooms, while the pergola serves above all for crea­ting a striking roof struc­ture and accom­mo­da­ting the LED lighting.

Opening

2018

Photos

Text

Werner Ziegel­meier
Agrob Buchtal

Video

Valley tile series ensures design consis­tency

The cover of the pool edge, the pool surrounds, the outer side walls of the pool and the floors of the sun-decks are made of a wood-plastic compo­site mate­rial.

The archi­tects chose this wood-like mate­rial to create a diffe­ren­tiated tran­si­tion zone between the water basin and the nort­hern part of the roof area with lounge, bar and further deck chair areas.

The latter areas, as well as the clad­ding of the pools, are also provieded throug­hout with Agrob Buch­t­al’s Valley series, in the form of 2 cm thick, sand-beige patio tiles in the format of 60 x 60 cm with appro­priate slip-resis­tance. The laying was carried out on elevated posts: on the one hand, so that the rain­water – as before the conver­sion – can be coll­ected and drained in the space between the roof cons­truc­tion and the roof. On the other hand, in order to be able to open the floor easily for inspec­tion works.

One more video

Elegant roof land­scape as a new attrac­tion

The result of the cons­truc­tion works carried out exclu­si­vely during the winter closing time of the hotel is a homo­ge­neous, elegant roof land­scape conveying plea­sant expanse and sove­reign gene­ro­sity.

The opera­tors have thus achieved their goal: the Olympus Palace is the only hotel in Salou with such a diverse micro­cosm on the roof that is on ever­yo­ne’s lips today. The number of parti­ci­pants in music events has also increased noti­ce­ably. Both hotel guests and external visi­tors enjoy staying there – not only to sip cock­tails at the bar, but also to take insta­gram-suitable under­water photos at the pool.

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About us

More Sports Media

Johannes Bühl­be­cker, founder

Johannes Bühl­be­cker is an archi­tect and has worked, among others, for Inter­na­tional Asso­cia­tion for Sports and Leisure Faci­li­ties (IAKS) for 15 years – as edito­rial director of the renowned trade maga­zine “sb”, in the orga­ni­sa­tion and reali­sa­tion of inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC, in trade fairs and conven­tions, as head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Faci­li­ties”) and as a lecturer at the German Sport Univer­sity Cologne.

  • Dipl.-Ing. (engi­nee­ring degree) Archi­tect, TU Berlin
  • Long­time edito­rial head with “sb”, an inter­na­tional journal for the archi­tec­ture of sports
  • Trai­ning in web design, online marke­ting, etc.
  • Inter­na­tional archi­tec­tural compe­ti­tions with IOC and IPC
  • Trade fair and congress orga­ni­sa­tion
  • Head of the “NRW Bera­tungs­stelle Sport­stätten“ (“NRW Advice Centre for Sports Venues”)
  • Lecturer at the German Sport Univer­sity Cologne
  • Plan­ning of the Prus­sian Stadium in Münster (for groß­mann engi­neers, Göttingen)
  • Replan­ning a foot­ball stadium in Berlin-Köpe­nick
  • Nume­rous publi­ca­tions, i.a. “From Round Leather to Soap Bubbles – The Deve­lo­p­ment of Foot­ball and its Archi­tec­ture”
  • Board member and youth coach at SV BW Weitmar 09

Contact

Phone

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Mail

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Address

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Am Weit­kamp 17
D‑44795 Bochum

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Kastrup Sea Bath

Always getting better

Kastrup Sea Bath

White arki­tekter AB

The gem

Kastrup Sea Bath is one of many archi­tec­tural gems of Køben­havn’s Ørestad region. It is part of the Kastrup Strand­park water­front park on the east coast of Amager. Conceived as a fully-acces­sible outdoor swim­ming faci­lity, Kastrup Sea Bath trans­formed an over­looked brown­field site into one of Denmark’s most enchan­ting, reco­g­nisable and popular leisure desti­na­tions.

The snail

Affec­tion­a­tely known as ‘The Snail’, Kastrup Sea Bath consists of the pool enclo­sure, as well as a new beach and service buil­ding, complete with toilets and acces­sible chan­ging room. The form was in response to the north-facing beach; a wooden pier stret­ches from shore and curves around to form a south-facing circular enclo­sure.

The pier

The pier gradu­ally rises above the sea level and ends in a five metre diving plat­form. The circular shape creates a concen­trated inte­rior that provides shelter from the wind and the perfect retreat for swim­ming and sunbathing. A conti­nuous bench runs along the pier, provi­ding addi­tional spaces for leisure and reflec­tion.

Inclu­sion in 2005

Inclu­sion was an important part of the concept. Desi­gned as an untra­di­tional frame­work for outdoor sporting acti­vi­ties, Kastrup Sea Bath caters to peaceful evening swims, exer­cise or play, irre­spec­tive of age, or physical mobi­lity needs. Ramps, and other special features allow less mobile visi­tors full access. All 870 square metres of wooden deck are at the visi­tors’ disposal. Kastrup is free of admis­sion and open to the public at all times.

Desi­gned for life

Kastrup’s dynamic sculp­tural form is a visible land­mark from beach, sea and air. As a visitor moves around the bath, its silhou­ette constantly changes. The form itself is sugges­tive of an amphi­theatre; from here, you can see and be seen; a rule worth being reminded of in busy communal pools.

Mate­rial

Cons­tructed from Azobé, this African hard­wood was selected due to its remar­kable longe­vity and aesthetic quali­ties. Azobé shares the same life­span as steel and is resistant to rot and wood­worm, ensu­ring that Kastrup will be enjoyed by several gene­ra­tions to come.

At night

At night and during the long dark off-season, dramatic lighting empha­sises the sculp­tural design, heigh­tening the visi­tors’ aesthetic expe­ri­ence, as well as secu­ring their safety. A series of large uplights illu­mi­nate the enclo­sure and is reflected from the inte­rior walls, gently washing the whole basin space with warm white light. This warmth contrasts with the elec­tric blue lighting behind the open stair­case and diving plat­form. Dual lines of LED spot­lights stud the pier walkway, faci­li­ta­ting easier navi­ga­tion in the dark.

Awards

Kastrup Sea Bath has been awarded a “Hono­urable mention” at the Archi­tec­tural Review Award for Emer­ging Archi­tec­ture 2006. It was nomi­nated for The Mies van der Rohe Award 2007 and won a  Bronze medal and a special prize at the IOC/IAKS Award and IPC/IAKS Distinc­tion in 2009.

Looking at current pictures of the bath in the social media, one has to say that the Kastrup Sea Bath would have deserved even more prizes.

PROJECT DATA

Archi­tect

White arki­tekter AB
Östgö­tag­atan 100
Box 4700
116 92 Stock­holm
Sweden

Client

Tårnby commu­nity

Photos

Author

White arki­tekter AB

Physical address

Kastrup Sea Bath
Amager Strandvej 301
2770 Kastrup
Denmark

Opening

2005

Aerial view

Thank you, Google!

VIDEOS

About

“More Sports. More Archi­tec­ture.” offers archi­tec­ture, buil­dings, products, ideas and trends for sports and leisure.
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