New life

Azatlyk Square in Tatarstan

DROM & Strelka KB

Situation

Azatlyk Square in the city of Naberezhnye Chelny (Repu­blic of Tatar­stan, Russia) has been trans­formed into a dynamic and vibrant multi-use public space.

The original square was desi­gned around a formal central axis that was intended to connect the muni­ci­pa­lity buil­ding to the unbuilt Lenin museum. By losing its star­ring role as a social connector, the public space became a relic of the Soviet past, unde­r­used, kept alive by a few main­ten­ance inter­ven­tions and discon­nected from city life.

Design

The project was deigned by Rotterdam-based firm DROM in colla­bo­ra­tion with Strelka KB.

Drom wanted to convert the lifeless public space of a typical Russian mono­town built in the Seven­ties and domi­nated by a single industry – the famous Kamaz truck factory – into a multi­pur­pose area with a fresh take on inha­bi­tants’ inter­ac­tion.

Connecting neighbourhoods

High­lighted by a dense row of planted trees, the main axis of Azatlyk Square has been relo­cated towards the edge of the plot to directly connect the nearby neigh­bour­hoods with the new Prome­nade and its pavi­lions that include diverse play­grounds, a café, a food stall and a spiral viewing plat­form.

Three squares

The former central area has been divided into three diffe­rent squares, each with its own unique character. To the East, the Event Square is a pink concrete paved urban space that is also used for weekly outdoor markets.

Next to it, is the Green Square, a rela­xing spot with a wooden amphi­theatre and a broad lawn from which to enjoy the seasonal land­sca­ping conducted by the city’s plan­ting depart­ment and lastly, the Cultural Square, with a foun­tain and a new circular shallow pool for playing in the water on hot days.

Anchor programme

In dialogue with the Prome­nade, each square is ener­gized by an anchor programme: the amphi­theatre doubles as a cafè; the spiral viewing plat­form, which is painted in the emble­matic orange Kamaz color, adds a vertical dimen­sion; and the circular pool trans­forms into an ice-skating rink in winter.

Urban furniture

DROM desi­gned pecu­liar paving patterns for each of the squares and inte­grated spaces that are protected from the strong cross­winds and sun by stra­te­gi­cally placed “hills” and local species of linden, red maple and blue spruce trees.

In addi­tion to the pavi­lions, Azatlyk Square features bespoke urban furni­ture and lighting elements, which were deve­loped and produced by local manu­fac­tu­rers closely involved in the crea­tion of a new niche in the city’s economy.

Structure

The main supporting struc­ture for the spiral viewing plat­form is made with the same tech­no­logy that is utilized in the produc­tion of gas pipes. The benches were shaped by a local concrete factory and the lamps were fabri­cated using stan­dard steel profiles.

By main­tai­ning most of the pre-exis­ting gree­nery and adding new trees, the archi­tects intend to preserve the exis­ting ecosystem and pecu­liar land­scape. All these aspects helped the natural inte­gra­tion and the visual impact of the enormous trans­for­ma­tion in the city centre, making the project more sustainable, resi­lient, and finan­ci­ally viable.

Conclusion

The city and its inha­bi­tants embrace the new public space and the flou­ris­hing green areas as a stimulus to trans­form a mono­tone indus­trial past into a lively contem­po­rary dimen­sion of living that injects new energy into their roots.

We did this.

Project data

Architect

DROM
Timur Kari­mullin, Sofia Kout­senko, Timur Shabaev
Asaf Barnea, Aga Batkie­wicz, Valen­tina Cicco­tosto, Elif Gözde Özto­prak, Roos Puls­kens, Praty­usha Surya­kant

Strelka BK

Client

Strelka KB, DOM.RF

Construction costs

€4.500.000

Physical address

Prospekt Khasana Tufana 18
Naberezhnye Chelny
Repu­blik Tatar­stan
Russ­land

Opening

2020

Author

Johannes Bühl­be­cker
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