Estadio Alfredo Harp Helú

­More than a feeling

​Estadio Alfredo Harp Helú in Mexico City

Francisco González Pulido & Alonso de Garay

Situation

After 16 cham­pi­on­ships and more than 70 years of history as the leading base­ball team of Mexico, Los Diablos Rojos del Mexico needed a new home stadium.

The new Estadio Diablos is called the Alfredo Harp Helú Stadium, after the team’s owner Harp Helú. The stadium is dedi­cated to be an urban complex rather than a single sports buil­ding.

Los Diablos Rojos’ new stadium is located within the Magda­lena Mixhuca sports complex, which was origi­nally built for Mexico City’s 1968 Olym­pics, and now serves as a public venue for athletic and cultural events.

Roof

Estadio Diablos has a monu­mental light­weight roof struc­ture resembling Diablos’ trident, which drasti­cally contrasts the predic­table roof geometry that has histo­ri­cally defined base­ball stadiums around the world. Indi­ca­tive of the sky, the roof design is sharp, trans­lu­cent, lumi­nous and dynamic.

Canti­le­vered canopies cover 11,500 of the seats, which are laid out on two sides of the base­ball diamond behind the batter. The other two sides contain 8,500 seats that are left exposed to the elements.

The gabled forms are built of large steel trusses holding PTFE (Poly­te­traf­luo­roethy­lene) sheets, a synthetic mate­rial that is water­proof and slightly trans­lu­cent. Their slopes gather rain­water which is processed and reused on site.

Tradition

In contrast to the visual light­ness of the roof, the base level is cere­mo­nial and draws from many cultural cues. Desi­gned using local mate­rials from the Valley of Mexico and inspired by the pre-Hispanic era, the plaza level design has specific refe­rences to the court of the ancient Meso­ame­rican ball­game and empha­sizes the connec­tion between the earth and the heavens.

The guiding concept was to estab­lish the duality between prehis­panic Mexico through the base and contem­po­rary Mexico through the roof of Centro Depor­tivo Alfredo Harp Helú which blends tradi­tion, inno­va­tion, austerity and tech­no­logy into one space.

The proces­sion from Alfredo Harp Helú Stadium grounds into the ball­park alludes to clim­bing an ancient Meso­ame­rican temple. As the spec­tator approa­ches the grand entrance, they are confronted with six trun­cated pyra­mids cladded in indi­ge­nous volcanic rock. Once inside, a ring connects all the seats and func­tions into one expe­ri­ence with unob­s­tructed views to the field.

Goals and visions

The archi­tec­tural design of the Diablos Rojos Stadium is the result of a colla­bo­ra­tion between the Mexican archi­tects Fran­cisco González Pulido (FGP-Atelier, Chicago, IL) and Alonso de Garay (Taller ADG, Mexico City).

The key goal for Alfredo Harp Helú Stadium is the vision of a great public space, where the open space is as important as the built space, which is a promi­nent archi­tec­tural feature within Mexican culture. Successful spaces must encou­rage strong social enga­ge­ment, incor­po­rate Mexican tradi­tions and respect exis­ting natural condi­tions. Ther­e­fore, the new stadium is seam­lessly inte­grated to four major public spaces with very distinct charac­te­ristics.

Other public amen­i­ties surroun­ding the main stadium include an outdoor market, batting cages, and an organic garden.

A gift

Alfredo Harp Helú Stadium aims to reduce energy consump­tion, waste and emis­sions. The design strives for a Net-Zero buil­ding using passive systems with minimal HVAC inte­gra­tion and active water reduc­tion systems. This goal of sustainable design inclu­ding minimal ecolo­gical impact sets a strong prece­dent for a new stan­dard of buil­ding within Mexico.

Alfredo Harp Helú Stadium is more than a stadium, it is Mexico’s ball­park. Our chall­enge was to make the stadium a social and cultural center. As Estadio Azteca is the home of Mexican foot­ball, we strive for Alfredo Harp Helú Stadium to become the home of Mexican base­ball. Estadio Diablos is inclu­sive. It is a gift from Los Diablos Rojos to the Mexican people.

We did this.

Compa­nies involved & Links

Client

Structure

Werner Sobek

Construction costs

156.000.000 €

Architects

Fran­cisco Gonzalez Pulido
FGP Atelier

Alonso de Garay
Taller ADG

Text

FGP Atelier

Address

Estadio Alfredo Harp Helú
(Diablos Rojos Stadium)
Av. Viaducto Rio de la Piedad
Ciudad de los Deportes Magda­lena Mixi­huca
Granjas México
08400 Ciudad de México
CDMX,
Mexiko

Opening

2019

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Sketches

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La Doce

Something bigger

La Doce in Mexico City

Football

La Doce is a colla­bo­ra­tive project, based on a network and a proposal for change that arises from the need to develop quality public spaces in margi­na­lized areas in various cities around the world.

Foot­ball as a sport is one of the most loved, most played and probably the one with the most follo­wers world­wide. It allows us to connect with ourselves and with others and at the same time, and from time to time discon­nect us from our envi­ron­ment.

Participation

Parti­ci­pa­tion – and this is what La Doce is about – allows us to observe and coexist and be conscious that beyond foot­ball, there also is a social cons­truc­tion. La Doce is a space for a “hobby” that allows to link through the game, an event that does not sepa­rate social classes. It grants the chance to be inte­grated as a team to those who are part of the moment – being part of some­thing bigger.

love.fútbol

This mani­festo is the basis of a proposal for a colla­bo­ra­tive project: La Doce, starting from the mission and vision of love.fútbol, a non-profit that mobi­lizes and engages commu­ni­ties to plan, build, manage, acti­vate and rede­fine their own foot­ball pitches as sustainable plat­forms for social change. Through the manage­ment and spon­sor­ship of various enti­ties, love.fútbol promotes and realizes the resto­ra­tion and reco­very of disused sports fields in margi­na­lized urban areas world­wide, buil­ding quality public spaces.

Project data

Architect

All Arqui­tec­tura 

Team: Jose­maria Quin­ta­nilla, Rodrigo Guardado, Salvador Guardado, Alejandro Guardado, Eduardo Ugalde & Judith Valerio

Photograph

Aerial photo­graphs: © Zaickz Moz
Site photo­graphs: © Marcos Betanzos 

Author

All Arqui­tec­tura 

Opening

2018

Collaboration

Based on this idea, the colla­bo­ra­tion between love.fútbol and All Arqui­tec­tura arised; one as the promoter, the other as the desi­gner. On this occa­sion and with the spon­sor­ship of Premier League team Manchester City, the project started. As part of the process, the inte­gra­tion of local part­ners was funda­mental for the work of love.fútbol, ther­e­fore Natlik as the civil asso­cia­tion was included as local interlo­cutor in the commu­nity.

Location

The project is located in the muni­ci­pa­lity of Valle de Chalco, refur­bis­hing a living space located in one of the areas expan­ding drama­ti­cally in popu­la­tion and suffe­ring from one of the highest rates of violence at the outskirts of Mexico City. Valle de Chalco is the desti­na­tion of many indi­ge­nous groups from all regions of the country, a dormi­tory city that reveals one of the most complex problems of contem­po­rary cities. An inter­woven mesh of roots that repres­ents a chall­enge towards the cons­truc­tion of social iden­tity and the rela­ti­onship with the space of the commu­nity itself.

La Doce is a colla­bo­ra­tion, a coor­di­nated effort and an alli­ance of desi­gners, archi­tects, artists, civil orga­niza­tions, and neigh­bors, who in a congre­ga­tion of propo­sals and social work are trans­lated into a project that summa­rizes and tries to achieve the inte­gra­tion of a frac­tured coll­ec­tive.

Project

La Doce is conceived as two inde­pen­dent spaces that, beyond being isolated expe­ri­ences, are linked through the acti­vi­ties they offer. A mix use court of 15m x 25m as a compo­si­tional axis, an essen­tial part of the project that proposes relo­ca­tion accor­ding to the North-South axis, allo­wing greater use of it throug­hout the day. Hosted between the streets Sur 11 and Sur 12, the property to inter­vene offers the oppor­tu­nity to achieve the connec­tion between both roads, allo­wing the user to make use of the same space as a link, follo­wing the paths of people through space and areas surroun­ding.

A large public square

An open pavi­lion ends in an edge of the playing field. Under a large roof several func­tions are inte­grated: the admi­nis­tra­tive area, a warehouse, rest­rooms, box area. Another adja­cent area allows multi­func­tional uses inclu­ding work­shops, classes and exhi­bi­tions that may be carried out at any time and any weather condi­tion. The pavi­lion invites the adjoi­ning proper­ties: an aban­doned library and an unin­ha­bited land, with the inten­tion for a future phase to relate and inte­grate both proper­ties to the project. A concrete plat­form, a vestige of the original field, is used as a large public square where the perspec­tive and expe­ri­ences of the many ethnic origins of which Valle de Chalco is struc­tured can be offered through artistic presen­ta­tions.

Images

Videos

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