Melos Stylemaker

Melos Stylemaker

As you like

With EPDM granules, you can realise your own ideas for playground flooring – even online.

Now designers and builders can design their own floor coverings online instead of buying “off the shelf” as before.

It’s spring, the open-air season in kinder­gar­tens and day care centres as well as on our play­grounds and schoo­ly­ards has begun. Children love bright and colourful envi­ron­ments where they can play, romp, climb, run and try things out.
Fall protec­tion floor cove­rings lite­rally play a supporting role in this.

EPDM granules can be used to produce not only colourful but also crea­tive floor cove­rings for play­grounds and other surfaces.
Now desi­gners and buil­ders can design their own floor cove­rings online instead of buying “off the shelf” as before.
This is made possible by the Melos Style­maker app.

Supplier

Melos GmbH
Bismarck­strasse 4–10
49324 Melle, Germany

The app provides a large selection of motifs and colours to choose from. Another very popular feature is the option to upload and implement your own motifs to the app.

The Melos Style­maker App offers a simple way to design colourful and crea­tive fall protec­tion floor cove­rings. It can be used to design entire themed worlds such as a land of dino­saurs, a bobby car race­track or an alien galaxy.
The app provides a large selec­tion of motifs and colours to choose from. Another very popular feature is the option to upload and imple­ment your own motifs to the app.

The design process is fully auto­mated and ther­e­fore very cost-effec­tive. The motifs, whether from the templates or uploaded by the user, are cut out of EPDM sheets with a water jet and then deli­vered as a complete, finished product.

After applying a poly­ure­thane adhe­sive, they are glued to the substrate. When the adhe­sive has dried, the surroun­ding area is levelled with EPDM granules to create a flat surface into which the motifs are inte­grated.

The PU bonding agent is included in the scope of deli­very, as are the floor motifs made of coloured EPDM granules.

What used to be very time-consuming is now a fully automated process that leads to decidedly individual and popular results.

The Melos Style­maker App offers archi­tects and buil­ders, as well as play­school manage­ment teams, the chance to choose between the many options – or to design a unique floor cove­ring for them­selves, for example in work­shops with the children.
Orde­ring the desired motif via the app is simple and straight­for­ward. Experts are available to advise on the plan­ning of indi­vi­dual floor cove­rings.
What used to be very time-consuming is now a fully auto­mated process that leads to deci­dedly indi­vi­dual and popular results.

Images

Melos

Text

Johannes Bühl­be­cker
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Ariake Gymnastics Centre

The Ariake Gymnastics Centre

Nutshell

The Ariake Gymnastics Centre offers a very large space in timber frame construction with an exceptionally harmonious atmosphere.

The Ariake Gymnastics Centre is designed to function in two phases; initially as a Olympic sports facility, it will be converted into a permanent exhibition hall.

The Ariake Gymnastics Centre is desi­gned to func­tion in two phases; initi­ally as a tempo­rary inter­na­tional sports compe­ti­tion faci­lity, then, after taking out the tempo­rary spec­tator stands, it will be converted into a perma­nent exhi­bi­tion hall.

A unique feature of this faci­lity is its exten­sive and gene­rous use of timber throug­hout the buil­ding. This is a posi­tive realiza­tion of “wooded faci­li­ties” and “sustaina­bi­lity” announced in the Tokyo 2020 candi­dacy file. The mate­rial was also selected to express the memory of this district which was once a timber storage pond.

Based on the archi­tec­tural concept of “a wooden vessel floa­ting in the bay area,” timber is used wherever possible, speci­fi­cally in the roof frame struc­ture, facade, spec­tator seats, exte­rior walls, etc. while carefully conside­ring the charac­te­ristics of wood in each appli­ca­tion.

Function, structure, and space are tightly combined to achieve beauty and richness in simplicity, which is the essence of Japanese traditional wood architecture.

The arena ceiling is a wood frame struc­ture desi­gned to reduce the weight of the overall struc­ture. The concourse space, where spec­ta­tors approach the arena, is inten­tio­nally placed outdoors. The wood facade takes into account acou­stic and thermal insu­la­tion proper­ties.

Func­tion, struc­ture, and space are tightly combined to achieve beauty and rich­ness in simpli­city, which is the essence of Japa­nese tradi­tional wood archi­tec­ture that we hope spec­ta­tors and athletes from all over the world will expe­ri­ence.  

The site is located in the midst of a vast, wide-open land­scape along a canal. Yet the design also needed to take into account the resi­den­tial envi­ron­ment of the medium-rise and high-rise condo­mi­nium buil­dings in the vici­nity. The hori­zon­tally long and flowing lines were achieved by keeping the buil­ding height as low as possible, redu­cing the overall volume and control­ling the height of the eaves.

Lightening the weight of the structure by using wood for the roof is effective for buildings constructed on sites with poor soil conditions.

By posi­tio­ning the circu­la­tion concourse on the outside of the buil­ding and crea­ting an open and broad approach space, the design attempts to avoid the impene­trable exte­rior typi­cally found on large-scale sports faci­li­ties created by the mono­li­thic walls.

Ligh­tening the weight of the struc­ture by using wood for the roof is effec­tive for buil­dings cons­tructed on sites with poor soil condi­tions. In this project, we adopted a simple struc­ture that uses single members of large glued lami­nated timber with high heat capa­city, rather than trusses consis­ting of a number of small members, to achieve both fire resis­tance perfor­mance and struc­tural stabi­lity.

Japan’s first complex struc­tural system using Timber Beam Strings Struc­ture and Canti­lever Trusses created a large wood-frame space that dyna­mi­cally covers the arena.

Project data

Client

The Tokyo Orga­ni­sing Committee of the Olympic and Para­lympic Games

Address

Ariake Gymnastics Centre
1 Chome-10–1 Ariake,
Koto City
Tokyo 135‑0063
Japan

Opening

2020

Photograph

Ken’ichi Suzuki
SS

 

Plans

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+49 172 4736 332

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