Learning by doing

Sharon Fieldhouse in Clifton Forge

Program Description

The design/buildLAB is a project-based expe­ri­en­tial lear­ning program focused on the rese­arch, deve­lo­p­ment and imple­men­ta­tion of inno­va­tive cons­truc­tion methods and archi­tec­tural designs. Students colla­bo­rate with local commu­ni­ties and industry experts to conceive and realize built works of archi­tec­ture that are both educa­tional and chari­table in nature. The aspi­ra­tions of the program are simul­ta­neously to rein­force the know­ledge and skills neces­sary to the students’ successful and meaningful prac­tice of archi­tec­ture and to support deve­lo­p­ment efforts in distressed commu­ni­ties by enri­ching the quality of their built envi­ron­ment.

By framing the oppor­tu­nity for archi­tec­ture students to make a diffe­rence in the life of a commu­nity, the design/buildLAB shows students the posi­tive impact Archi­tec­ture can make and inspires them to high profes­sional ethics.

Project Description

The Sharon Fieldhouse sits on a hillside defined by a series of terraced base­ball fields. It marks the land as a linear incision that cuts across the site and serves as a primary axis of pede­strian circu­la­tion. The buil­ding is fissured into three elements to allow the site’s circu­la­tion to weave its way in and around the occu­pied spaces. The entrance to the Fieldhouse is an arran­ge­ment of massive concrete steps, serving as a playful proces­sion and an informal gathe­ring space. Spaces within the incision are delineated by vertical steel screens that fan-out and range in density to create varying levels of inti­macy.  Mono­li­thic pivot doors heighten aware­ness as one passes from the extreme open­ness of the site into the inti­macy of the rest­rooms and conces­sion kitchen. White lami­nated glass bathes the inte­rior spaces with even natural light. Nested between the conces­sion kitchen and the rest­rooms, a shade pavi­lion slips out of line, offe­ring a cool repose over­loo­king the field. The open­ness of the screens allows breezes to pass through as well as views to the surroun­ding moun­tains. The pavi­lion space steps toward the field with a series of faceted grass seating terraces, invi­ting spec­ta­tors to sit and enjoy the game. As the incision reaches the forest, at the edge of the site, it gently dissolves into a sunken rain­water filtra­tion marsh. In the evening, points of white light emerge as a constel­la­tion on the oiled oak ceiling. In this rich natural land­scape, trans­pa­rent forms and subtle details imbue the archi­tec­ture with a peaceful presence, a magical atmo­sphere for commu­nity gathe­rings.

Architect

design/buildLAB
VA Tech School of Archi­tec­ture + Design
201 Cowgill Hall
US-Blacksburg, VA 24061

Opening

2014

Team

Students:
Landon Williams, Molly Vaughan, Mitchell August, Ryan Myers, Julia Vasquez, Xiao Fu, Ellie Burns, Forrest Bibeau, Mykayla Fernandes, Kellen McGinley, John Iaconis, Chanel Carter-Harris, Barbara Dior, Nancy Rede­nius, Tom Powers

Profes­sors:
Marie Zawis­towski, Archi­tecte DPLG, Keith Zawis­towski, AIA, NCARB, GC

Client

Clifton Forge Little League
P.O. Box 77
Clifton Forge, VA 24422

Construction costs

97.000 €

Author

Marie Zawis­towski + Keith Zawis­towski

Photograph

© Jeff Goldberg/ESTO

Collaboration

The Sharon Fieldhouse­ is a chari­table under­ta­king that was desi­gned and built by 15 third year under­gra­duate Archi­tec­ture students from Virginia Tech’s design/buildLAB. After studying the town and working with the commu­nity to develop a program, all 15 students made indi­vi­dual design propo­si­tions for the project. From those, students itera­tively merged their propo­sals. In this way, all of the students contri­buted ideas to the discus­sion. It was impe­ra­tive from a pedago­gical perspec­tive that not one “scheme” was chosen. Rather, all students colla­bo­rated to develop the final design for the project.

Social Consciousness

Clifton Forge, Virginia is repre­sen­ta­tive of many previously prospe­rous American towns, strugg­ling to survive as the indus­tries, which fueled their growth, continue to abandon them. Tucked within a small valley along the Jackson River, this rural Appa­la­chian rail town faces severe urban chal­lenges. Deserted store­fronts, empty houses and decaying infra­struc­ture contri­bute to an under­lying sense of aban­don­ment. With a combined median house­hold income of ‚000 annu­ally, Clifton Forge is in need of recrea­tional and cultural faci­li­ties to expand oppor­tu­ni­ties for its own future.

The Sharon Fieldhouse­ was an all-volun­teer design and cons­truc­tion under­ta­king for a non-profit little league. It was led by 15 under­gra­duate archi­tec­ture students who orga­nized them­selves, a team of profes­sional consul­tants and a team of commu­nity volun­teers, all with the aspi­ra­tion of engen­de­ring a renewed sense of place by intro­duce vibrant civic archi­tec­ture.

From a student educa­tion perspec­tive, the project strives to rein­force the know­ledge and skills neces­sary to the successful and meaningful prac­tice of Archi­tec­ture by addres­sing issues of social conscious­ness, commu­nity leader­ship, colla­bo­ra­tion, consensus buil­ding, and envi­ron­mental sustaina­bi­lity.

From an economic deve­lo­p­ment perspec­tive, the project demons­trates the poten­tials of locally available resources. By part­ne­ring with fled­gling local indus­tries to fabri­cate rela­tively complex buil­ding compon­ents, steel shops have expanded into CNC produc­tion, truss manu­fac­tu­rers have realized that their exis­ting produc­tion lines allow for mass-custo­miza­tion and sawmills have found new markets in Appa­la­chian hard­wood mill­work.

From a commu­nity deve­lo­p­ment perspec­tive, the energy, crea­ti­vity, and commit­ment demons­trated by the students replaces despair with valor and caused people to get involved in revi­ta­li­zing their own commu­nity. Among the many bene­fits of this commu­nity-class­room is affir­ma­tion of design thin­king in place making: the educa­tion of Archi­tects about the value of the public and the educa­tion of the public about the value of Archi­tec­ture.

Site plan

Environmental Stewardship

 

The Sharon Fieldhouse project takes the posi­tion that envi­ron­mental steward­ship is neither a commo­dity nor an aesthetic; rather, it is a value under­lying all good archi­tec­ture. This posi­tion holds that the envi­ron­mental problems of our age are problems of disposa­bi­lity and over consump­tion, which will not be solved by consuming more products, regard­less of how “green” those products may claim to be.

The Sharon Fieldhouse addresses envi­ron­mental leader­ship through cultural and physi­cally dura­bi­lity. The project grew out of a clearly iden­ti­fied long-term need for a youth recrea­tion faci­lity and is built prima­rily from locally sourced long service life mate­rials and time tested detailing. Carbon steel and float glass are manu­fac­tured in regional mills and are 100% recy­clable. White oak, among the densest and most resistant of the Appa­la­chian hard­woods, is sustain­ably harve­sted and locally sawn. Low consump­tion plum­bing fixtures, LED lighting and smart fans limit water and elec­tri­city usage. A swale ensures that storm water returns slowly to the water table. And finally, the angle and density of the sun-screen increases from east to west in order to invite the warming morning sun and to shelter from the hot after­noon sun.

Prefabrication

Prefa­bri­ca­tion is central to the design/buildLAB’s educa­tional approach, because it allows a single group of students to lead a project from concep­tion to realiza­tion, and expe­ri­ence the enti­rety of the process of making archi­tec­ture. The students prefa­bri­cated the large majo­rity of the Fieldhouse’s buil­ding compon­ents at VA Tech, while local contrac­tors conducted the site work. This allowed for phases of cons­truc­tion, which usually happen in sequence, to happen simul­ta­neously. The effi­ci­ency of working in a controlled envi­ron­ment is essen­tial in achie­ving the sche­dule of one academic year. The prefa­bri­cated buil­ding compon­ents were assem­bled on site with a crane. In total, the students prefa­bri­cated and assem­bled the struc­ture in less than five months.

The project is cons­tructed from 4 primary compon­ents, each in a distinct mate­rial: concrete plinth, carbon steel screens, wood roof panels and white lami­nated glass enve­lopes. Shop drawings for all members of each compo­nent were extra­cted from a computer model, faci­li­ta­ting precise and effi­cient off-site prefa­bri­ca­tion.

All concrete form­work was prefa­bri­cated and trans­ported to the site to pour the porch terraces, knee walls, stairs, and slabs. The struc­tural steel bents and screens were pre-welded using a series of jigs and bolted into place on site, allo­wing the frame to be easily and effi­ci­ently assem­bled. Drop from major struc­tural elements was used to fabri­cate furni­ture such as picnic tables and a kitchen island. The trape­zo­idal wood roof panels were shop-built, craned into place and bolted to the steel struc­ture. The trans­lu­cent glass enve­lope was panelized, nested, coded and factory cut to mini­mize waste and expe­dite on-site instal­la­tion.

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