Walking on water

The Floating Piers on Lake Iseo

Christo und Jeanne-Claude

16 days in 2016

Over 1,200,000 people visited Christo and Jeanne-Claude’s The Floa­ting Piers during its 16 days from June 18 through July 3, 2016.

The tempo­rary work of art featured fabric-covered piers 3 kilo­me­ters in length, cons­tructed across the water of Italy’s Lake Iseo, and continued along 2.5 kilo­me­ters of pede­strian streets in Sulzano and Pesc­hiera Maraglio.

For a short time only

The Floa­ting Piers was first conceived in 1970. Christo and Jeanne-Claude later found Lake Iseo to be the most inspi­ring loca­tion to realize this project.

The lake’s water, the land­scape, and the commu­ni­ties around it have all been part of The Floa­ting Piers. An important part of this project is the tempo­rary part, it has a nomadic quality – this is why after 16 days it was gone.

Free and accessible

The Floa­ting Piers were free and acces­sible to the public, no tickets or reser­va­tions were required. Local autho­ri­ties requested The Floa­ting Piers close at night to accom­mo­date the commu­nity of Monte Isola’s sani­ta­tion needs.

On average over 72,000 people a day from around the world expe­ri­enced The Floa­ting Piers and explored the hosting commu­ni­ties around Lake Iseo, which offered food and drinks, and places for hikes where visi­tors could take in diffe­rent vantage points of the piers.

Hotels, restau­rants, bars, and shops recorded asto­nis­hing atten­dance, and images of Lake Iseo were broad­cast on the major inter­na­tional networks. For the small island it’s been a chall­enge people enthu­si­a­sti­cally met as this expe­ri­ence will have lasting impact on the future of the tourist industry of the area.

Success and perspectives

The Floa­ting Piers has been a great success. The project provided new perspec­tives for inha­bi­tants around the lake. It allowed to redis­cover the surroun­dings and the value of the lake’s inner beauty, which can some­times be unde­re­sti­mated. The Lake Iseo area hosted over a million visi­tors, offe­ring an unfor­gettable artistic expe­ri­ence and allo­wing people to learn about a hidden corner of Italy. The atten­dance of visi­tors and all the invest­ments brought by The Floa­ting Piers bene­fits the local economy.

Christo financed the entire cost of The Floa­ting Piers, appro­xi­m­ately 18,000,000 Euros, inclu­ding the assembly, instal­la­tion, main­ten­ance, secu­rity, and removal of the work of art. The artist does not accept spon­sor­ship.

Over 1,000 people were employed by The Floa­ting Piers. All project workers were paid, there were no volun­teers, inclu­ding manu­fac­tu­rers, engi­neers, buil­ding contrac­tors, divers, pier moni­tors, life­guards, boat captains, and secu­rity personnel. The majo­rity of the moni­tors, which provided round-the-clock coverage on the piers, were local Italian resi­dents from the Lombardy region.

Materials and Removal

After the projet was finished, mate­rials were indus­tri­ally recy­cled for use in a variety of appli­ca­tions. All compon­ents of The Floa­ting Piers have been removed over the course of three months, leaving Lake Iseo „as if we were never here.”

 

The Floa­ting Piers included:

  • 220,000 high-density poly­ethy­lene cubes and pins, manu­fac­tured by four diffe­rent compa­nies in Nort­hern Italy, used to create a modular floa­ting dock system on Lake Iseo.
  • 100,000 square meters of nylon fabric and 80,000 square meters of felt to cover 3 kilo­me­ters over the piers on water and 2.5 kilo­me­ters of pede­strian streets. The yellow-dahlia fabric as well as the felt underlay will be re-manu­fac­tured and used in the produc­tion of new fabric products. The fabric may also be ground into a filler and used in such products as carpet under­lay­ment.
  • 200 concrete dead-weight anchors, weig­hing 5.5 tons each, speci­fi­cally desi­gned for the project. The anchors, used under water to hold the piers in place, will all be carefully removed from the lakebed and milled/shredded for filler and indus­trial re-use.

We will miss projects like this one very much.

We did this.

Compa­nies involved & Links

Artist

Christo and Jeanne-Claude

Address

Monte Isola
I‑25050 Brecia

Photos

Wolf­gang Volz

Author

Johannes Bühl­be­cker
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