Architects need Likes, too

 

Building with Social Media

by Katie Dabbs

Digitized beasts

We have evolved into digi­tized beasts capable of sending personal state­ments in a matter of seconds. Whether via images, posts, invites, and tweets, we have the ability to disse­mi­nate opinions and ideas — from the half-baked to the fully fledged — in a moment’s notice. We commu­ni­cate daily with audi­ences comprised of people we know and some we don’t, and, while many use it to dish out selfies, troll celebs, or express their very public infa­tua­tion with a favo­rite donut shop, I can’t help but consider how harve­s­ting these opinions can (and will) affect the prac­tice of design.

 

Norman Foster vs Bjarke Ingels

Along with the draf­ting board, gone are the days of glit­te­ring hand-sculpted models and hard­cover presen­ta­tion books. In is 3D prin­tingOculus Riftrendered videos, and social media. Case in point: Rupert Murdoch’s media compa­nies, 21st Century and Fox, pushing aside Norman Foster, now 80, for the young parvenu Bjarke Ingels to design the fourth and final skyscraper at 2 World Trade. As Paul Gold­berger described in his recent Vanity Fair article, “This change signi­fies more than Oedipal rumblings in the archi­tec­tural world. It may say even more about the world of media, and not just Murdoch’s media.”

As a public rela­tions profes­sional having spent my short career working within archi­tec­ture firms, it’s my job to illus­trate to the media what actually goes into making a buil­ding. The craft, the mate­rials, the methods, the tech­no­logy, the cama­ra­derie, the part­ner­ships, the manpower. Social media gives us a powerful tool that consumer-driven compa­nies have jumped head­first into while design industry is playing catch up.

 

Kim Kardashian leads the way

“Twitter became my form of Google for a second,” said none other than social media monarch Kim Karda­shian in her recent, and some would say unex­pected, inter­view at the Re/code confe­rence. She’d ask ques­tions to her 34.7 million follo­wers — their review of movies, places to dine, what shade of pink a perfume bottle should be. Although her ques­tions seem trivial, she has proved the ability to gather prized brand insight in a matter of seconds.

Public opinion is playing a greater role in archi­tec­ture today. Enough scru­tiny, espe­ci­ally as it relates to public archi­tec­ture (think: conven­tion centers, stadiums, museums, airports), can change the course of projects. A quick Google search will show you the public outcry centered around the Frick Collection’s proposed expan­sion, which had considered repla­cing a prized garden on East 70th Street in Manhattan with an addition.The change proposed in Summer 2014 was recalled in June 2015 with the Frick’s promise to come up with a new plan, one that would spare the beloved garden and respond to public concern.

Express yourself!

Public opinion is powerful. While the average public archi­tec­ture project takes years, thou­sands of man-hours, and typi­cally hundreds of millions of dollars, it signi­fi­cantly impacts the commu­nity it occu­pies. Public archi­tec­ture can change people’s lives for better or worse. It is ther­e­fore neces­sary to ensure these struc­tures maxi­mize ROI — soci­ally, econo­mic­ally, and emotio­nally.

Because it’s impos­sible for archi­tects and desi­gners to correctly anti­ci­pate every poten­tial wart that could plague a project and cause problems down the road, harnes­sing the opinions of ever­yday people is one way to cure poten­tial mala­dies before they rear their ugly heads. Clients who commis­sion public archi­tec­ture are savvier than ever; they under­stand what design brings to the table and push desi­gners to expe­ri­ment and take risks.

They also yearn for public dialogue with the end users who will be using their spaces. Making the crea­tive process behind the design more visible can surface neces­sary criti­ques before a single brick is laid. Increased public aware­ness can shed light on the problems that our buil­dings could and should be solving but may not be in their current itera­tions.

This is where social media comes into play. It’s never been easier to gather and analyze the opinions of critical masses of people, and it’s become quite common for orga­niza­tions from clot­hing retailers to consumer product compa­nies to survey social media users. Then, they use this data to inform their decis­ions. There’s a certain honesty that social media, as opposed to tradi­tional survey tools, engen­ders.

On social media, people feel empowered to express them­selves without any sort of filter. Some­times users cross the line by spewing a polemic or getting down­right nasty, but, more often than not, they provide brut­ally honest and incisive feed­back — giving inte­rested parties a better under­stan­ding of what the commu­nity expects from the world around them.

 

Architects need Likes, too

Archi­tects and desi­gners can and should use social media to achieve similar results. Our profes­sion has long relied on data points and various metrics to measure the impact that design has on its users. Now, we can use social media to surface opinions and criti­cisms of designs-in-the-making and completed spaces in need of a rehab. Insta­gram and Face­book provide commu­nity feed­back in a form of a “like” or posi­tive comment. Pinte­rest illus­trates what is truly popular and what isn’t via “pins.”

Social media has the power to eradi­cate the days of tedious data coll­ec­ting: there are focus groups galore available online. Stuck in a rut? Need an opinion on a mate­rial you’re contem­pla­ting using? A façade option you’re about to pitch a client? Need to under­stand how users are inter­ac­ting with their spaces? Dish the ques­tion to your follo­wers. Allow them to react. Convey the opinion to your client. Charge ahead.

 

With mind and heart

I think Iwan Baan, heralded the most-wanted archi­tec­tural photo­grapher by The Wall Street Journal, has the best social media stra­tegy in the design industry, to date. If you’re unfa­mi­liar with his work, he is indis­pensable to the likes of Rem Kool­haasZaha Hadid, and Herzog and de Meuron. His photo­graphs are instantly dispensed to maga­zines and news­pa­pers that fight for the exclu­sive, but his Insta­gram account reveals a side of archi­tec­ture that his polished pictures don’t. His photos take you behind the scenes. Footage of the places he visits, the people he meets during his travels, and the buil­dings he shoots, sans the gloss. Baan takes us on his journey that reso­nates with the minds and hearts of his follo­wers. In these stolen moments, people connect with archi­tec­ture.

My inner Miss Cleo says that this is the way of the future. This is how we will build buil­dings. We will poll our fans, let the public in, take their tempe­ra­ture, connect them with their buil­dings before they are built, and take them on the design journey with us. We will make this multi­faceted and incre­dibly nuanced process simple and possibly supe­rior. We will use it to uncover the best solu­tions. More infor­ma­tion yields more educated decis­ions. We will gauge real-time reac­tions before pres­sing on. Our audi­ence will help guide us.

Newsletter?

Vielen Dank, das hat geklappt.

GDPR Cookie Consent with Real Cookie Banner