Learning from turtles

Stade du Merlan in Marseille

Noisy neighbours

The project of Stade du Merlan meets two funda­mental ques­tions: the wish of contrac­ting autho­ri­ties not to stig­ma­tize a neigh­bor­hood, and the desire to design some archi­tec­ture.

The current site was aban­doned and was the scene of burned cars and all kind of smugg­lings. The cons­traints were announced, the speci­fi­ca­tions well defined:

- A disad­van­taged neigh­bor­hood, plagued with delin­quency
— The neces­sary manage­ment of unwanted intru­sions
— A grid impos­sible to cross and resistant to attacks
— A buil­ding resis­ting to burgla­ries, graf­fitis, broken windows, squat­ting…
— All this respec­ting, of course, ease of main­ten­ance and servicing.

Bunker vs turtle

The importance of archi­tec­tural design seemed so essen­tial and, to bunker-like archi­tec­ture in such neigh­bor­hoods where some­times famous mediated scenes take place, we have preferred a „turtle-like“ inter­ven­tion for Stade du Merlan!

So the choice is simple, besides being adapted to the site: buil­dings will be buried in order to protect facades and roofs, to control access, and thus, provide a green space lacking in these concrete asphalt neigh­bor­hoods.

This unex­pected func­tional response should not only inter­vene on the lives of people but also trans­form the aesthe­tics of Stade du Merlan: crea­ting a „bubble of air“, a paren­thesis, a kind of sacred place of sports and recrea­tion, dedi­cated to schools and resi­dents. The project borrows a vegetal voca­bu­lary to offer a unique outdoor space!

Architects

ATELIER NAOM* (New Architectes Of’ Marseille) 467 avenue de mazargues 13008 Marseille Frankreich

Client

STB Northeast 20 Bd Françoise Duparc 13 004 Marseille Frankreich

Address

Avenue de l’escadrille Normandie-Niemen Marseille 13e Frankreich

Aerial view

Thank you, Google!

Author

ATELIER NAOM*

Photograph

ATELIER NAOM*

Construction costs

€3,265,000

Opening

2016

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Materials

The patina of corten steel, in warm shades ranging from orange to brown, evoking the color of the earth, joins the green slopes dotted with fallow lands and flowers.

The blades of the fence offe­ring closed view from the front, evapo­rate quickly like twigs in side view, allo­wing to close the site while keeping a sensible and percep­tible link with the nearby urban context. With the esthe­tics of this fence, we under­stand that it was not just to close, to delimit or to erect a barrier between Stade du Merlan and the rest of the world: buil­ding concep­tion and archi­tec­ture means above all crea­ting links.

 

Sirens of mass distribution

As well, from a prac­tical point of view, the selec­tion of a mate­rial such as corten steel is a sustainable choice because it is stable over time, natu­rally durable and easy to main­tain: after sanding (e,g, of a graf­fiti), the patina rege­ne­rates itself.

The entire street furni­ture was created for Stade du Merlan and, from the grid of tree to the inte­rior signage, every detail is an oppor­tu­nity to express our role as desi­gner and to resist in our own way, to the sirens of mass distri­bu­tion and its stan­dard cata­logs.

Photographs

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